Mouth Full of Stones: Haikai
- Awards & Honours
- Images & Words
- Other Writing
- Published/Exhibited Photos
- A Year Unfolding: Haiku
- Mouth Full of Stones: Haikai eBook
- Prairie Interludes: Haiku eChapbook
- The Language of Loss: Haiku & Tanka Conversations
- Three-Part Harmony: Tanka Verses
- Warp and Weft: Tanka Threads
Monday, August 02, 2021
#FemkuMag: haikai poetry by womxn and non-binary folx - Issue 30, July 2021
Honoured to receive 2nd Place in the 2021 Marlene Mountain Contest (for monoku)! My thanks to the judges, Lori A. Minor and Tia Haynes, for their sensitive commentary.
Fata Morgana the (in)visibility of my (dis)ability
Not only are invisible illnesses difficult to live with because one is forced to convince others that they are sick, but some chronic illnesses can make one feel invisible due to the disconnect between those sick and their able-bodied friends and family. These illnesses are debilitating and isolating.
The brilliant use of parentheses parallels this by separating those who are seen and those who feel invisible, as well as disabled folx and those who are able-bodied. For those who are sick but still struggling to seek answers, Fata Morgana is all too familiar. The pain felt is real, but when the test results keep coming back normal, one can't help but feel stuck and just about end up gaslighting themselves. Not to mention those answers seem unreal and so far out of reach. We can also see the way Debbie possibly views herself, as one stuck as an optical illusion, living in society in one fashion and being unable to in another. This heartbreaking monoku calls us to hear and to see, to understand and develop compassion where it is most needed.
Other work included in this issue:
internal dialogue only one of us has anything to say
wild foxglove the poison lurking behind beauty standards
you take offence
to know the inner bark