Showing posts with label one line. Show all posts
Showing posts with label one line. Show all posts

Monday, September 08, 2025

Akitsu Quarterly, Fall/Winter 2025

funeral cortege the this way and that of snow buntings


winter sea
unseen kelp spores
begin to sprout


deep drifts
a light goes on
in the barn

Saturday, August 23, 2025

Geppo: The Work-Study Journal of the Yuki Teikei Haiku Society, Volume L:2, May 2025

February - April 2025


an evergreen decaying from the top down dementia


thunderstone
your death a bolt
from the blue


rain-strung branch
the upside-downness
of redpolls


bag lady
a halo of pigeons
circling her head


Spring Challenge: Dandelion, tampopo


pesticide-free
the wild manes
of dandelions


Honoured to know that "rain-strung branch" was included among the favourites of Dojins Patricia J. Machmiller and Joan Zimmerman!

Also honoured that "rain-strung branch" was chosen for commentary in the subsequent issue:


Dojin's  Corner:

There is so much to like about this haiku, starting with its phrase "rain-strung" to indicate that it has rained, has stopped raining, and has left jewels of rain hanging on a branch. Line two affirms the hanging beads of water through its newly minted and lovely noun "upside-downness" (from the adjective "upside-down").

The haiku pivots on that into line three's redpolls, acrobatic and energetic small finches with a tendency to hang down to forage, gleaning branches from below for insects and seeds. The haiku also feels acrobatic and energetic. A delight.

—Joan Zimmerman

Such a perfect way to characterize the redpolls' acrobatic feeding movements as "upside-downness." One word says it all.

—Patricia J. Machmiller

At least I guessed the correct category: redpolls=birds. Although refusing to keep a life list, I do consider myself a moderate birder, but I had to look up "redpolls" to appreciate this haiku. Smaller than house finches and purple finches I doubt that I'll ever see one, as in the winter they only migrate as far south as Canada and the far northern parts of the midwest and eastern United States.

—Alison Woolpert

Geppo: The Work-Study Journal of the Yuki Teikei Haiku Society, Volume L:1, February 2025

November 2024 - January 2025


Grateful to have a mention of my new book, Random Blue Sparks, included in this issue!


soup kitchen the salt and pepper hair of a veteran


light ricochets
off a snowy owl's wing . . .
ice pellets


hot tenting
the sudden sizzle
of northern lights


new year's thaw
all the snowmen
losing weight


Winter Challenge Kigo: Winter Mountain, fuyu no yama


clouds crash
into the winter mountain . . .
pain flare


Honoured to know that "soup kitchen" and "new year's thaw" were included among Dojin Patricia J. Machmiller's favourites!


Also honoured that "new year's thaw" was included among the "Voted Best" (7 or more votes) in the subsequent issue,





The Haiku Foundation, New to Haiku: Kire and Punctuation, March 2025

Grateful to Julie Bloss Kelsey for including the following work in her article "Kire and Punctuation" (for the section titled "Parentheses") on May 2, 2025:


Fata Morgana the (in)visibility of my (dis)ability

2nd Place, 2021 Marlene Mountain Memorial Haiku Contest

The Haiku Foundation: EarthRise Rolling Haiku Collaboration, April 2025

Theme: International Year of Glaciers' Preservation


solo hike the chatter marks of glaciers

First Frost, Issue 9, Spring 2025

 

Kokako, Number 43, September 2025

Grateful to have a lovely review of "Random Blue Sparks" by the editor, Graham Bates, included in this issue. It can be accessed under the book's title tab of this blog.


homelessness
the driftwood's hole
filled with a stone


rime ice
the spikes of burrs
grow longer


childhood days
spent digging for treasure
on the beach
you still wear the pendant
I made from pirate glass


the wind
strumming ocean waves
what music
do you have in store
for me tomorrow




Monday, August 11, 2025

Sonic Boom, July 2025

worry bone the sperm whale clicking inside my jaw

Prune Juice, Issue 46, August 2025

Grateful to have the following work included in the last issue edited by Antoinette Cheung and P.H. Fischer:


tsundoku
we don't know what
we don't know

(note: tsundoku: the art of book accumulation)


 

Haiku 2025: 100 Notable Ku from 2024, Modern Haiku Press, 2025

Thrilled to be included in this anthology edited by Lee Gurga and Scott Metz!


reproductive choice making a baby glacier

Password: Journal of Very Short Poetry, Issue 1.2, May 2024

Half Day Moon Journal, Issue No. 3, August 2025

boreal rain our skin pelted with blackflies

Haiga in Focus, Issue 85, August 2025

 Curated by Claudia Brefeld


Translated into German





Wednesday, June 18, 2025