Showing posts with label awards. Show all posts
Showing posts with label awards. Show all posts

Thursday, August 13, 2026

New Zealand Poetry Society International Poetry Competition, 2026

My thanks to Graham Bates, the judge of this contest!


the silence
of Candlemas bells . . .
final chemo

3rd Place

Judge's Commentary:

Commonly known as snowdrops, these bulbs got their nickname through their Northern Hemisphere bloom time aligning with the Christian festival of Candlemas. They tell us that it is late winter or early spring, and are associated with purification, light and hope, which in this haiku is also the hope of a successful treatment and recovery. The silence could be an eerie one, but it also brought to mind Thomas Merton's exploration of the concept of silence as the ultimate form of prayer.


shed antlers
bleached by the sun . . .
grandfather's hands

Commended

Judge's Commentary:

Antlers are shed in late winter and early spring, but these must have spent a long time out in the sun to turn chalky white, like the grandfather's arthritic hands with poor circulation, whose fingers struggle to fully open. Of course, antlers, in deer, are associated with masculinity, but these hands cannot be shed and regrown, though they may at times feel as useless as those shed antlers.

Our Best Haiga: Black and White Haiga/Haisha, August 2026

 Curated by Lavana Kray


August 6, 2026: "fan" feature


(note: this haiku was included in the 16th Yamadera Basho Contest Selected Haiku Collection, 2024)

Wednesday, August 12, 2026

Triya Mag: Monsoon Edition, July/August 2026

Translated into Hindi


Honoured to have the following haiku selected as Editor's Choice:


cloudfall
mother's face softens
into sleep

Acorn, Number 56, Spring 2026


Commentary by Teji Sethi:

This haiku achieves its subtle power through contrast. The fragment, cloudfall suggests heaviness, thunder, and the forceful descent of rain. Yet in the very next phrase, the image shifts to the mother's face, softening into sleep—a gesture of quiet tenderness.

This haiku by Debbie distills a moment into three lines, embodying the essence of haikai aesthetics. It carries karumi, the lightness that allows the verse to breathe and zoka, the vital energy of nature that makes the image striking. The interplay of a storm's intensity with the gentleness of rest, creates a layered resonance. It reminds us that even within life's turbulence, there is repose.

With this evocative haiku, we open the Monsoon Edition to our readers...


Also included in this edition:


distant slopes
turning blue at twilight
the soft folds
of this tweed blanket draped
around father's shoulders

Runner-up, The Linda Jeannette Ward Tanka Award
British Haiku Society Awards, 2025




The Solitary Daisy, Issue 78, July 2026

I'm grateful to the editors, Michele Rule and Sally Quon, for inviting me to submit the following award details for Random Blue Sparks!

1st Place (joint) in the 2026 Haiku Canada Marianne Bluger Book Awards
3rd Place in the 2025 Haiku Society of America Merit Book Awards
Shorlisted for a Haiku Foundation Award

Thursday, June 25, 2026

Haiku Canada: Marianne Bluger Awards, 2026

Thrilled to receive joint 1st Place in the 2026 Marianne Bluger Book Awards for Random Blue Sparks! My thanks to the judges.


Judging Commentary:

We were looking for haiku and related forms that ring true; a book or chapbook that demonstrates coherence and flow; and a book design that enhances the poet's work. A tall order, as all of these features work together to engage a reader.

—Terry Ann Carter and Philomene Kocher


Modern Haiku, Vol. 57.2, Summer 2026

family reunion
a jumble of shells
at low tide


rotted rafters
fog curdles around
the owl's call

Honourable Mention
Robert Spiess Memorial Haiku Award Competition for 2026


Judge's Commentary:

This one refused to let go of me. I kept returning to it so I could study how its three entities interacted. The fog and the owl's call help to make this haiku feel dreamy and infused with yugen, quiet grace and mystery. When fog curdles, it becomes very dense, transforming into liquid water droplets. Using "curdles" as a verb also seems to imply that something is going sour, adding some menace to the scene. This haiku is essentially about transformation. The solid rafters are rotting. The fog is turning into water droplets. There is also some intriguing synesthesia at work here as the visual fog curdles around the sound of an owl. Matter, shapes, and sounds are all undergoing transformation. In addition, this haiku is full of euphony created by the alliteration of "r" sounds and the consonance of "l" sounds. Plus, there are three words, "curdle," "owl," and "call," that interact in pleasing ways euphonically. And the words "curdles around" yielded a shadow word of "curls," also adding to the movement and shape of this haiku moment.
—Brad Bennett


Museum of Haiku Literature, Japan

I'm honoured to know that Masako Kakutani will introduce "Random Blue Sparks" to haiku poets in Japan who are interested in English-language haiku, and that Haijin Kyokai (Tokyo, Japan) will include my book in the Museum of Haiku Literature collection!

Daily Haiku: Charlotte Digregorio's Writer's Blog, June 2026

rotted rafters
fog curdles around
the owl's call

Honourable Mention
The Robert Spiess Memorial Haiku Awards, 2026


distant slopes
turning blue at twilight
the soft folds
of this tweed blanket draped
around father's shoulders

Runner-up
The British Haiku Society Linda Jeannette Ward Tanka Award, 2025

Monday, June 08, 2026

Forestry England - The Magic of Maples Haiku Competition, 2026

Honoured to receive a Commendation in this competition. Over 550 haiku were submitted from around the world. The winning, placed, commended, and honourable mentioned poems will all form part of an outdoor exhibition at Westonbirt Arboretum during the autumn season (September - November) 2026. My thanks to the judges, Emiko Miyashita, Lev Hart, and Andrew Shimield!


fallen leaves
our dog jumps into a sea
of crimson

Geppo: The Haiku Work-Study Journal of the Yuki Teikei Haiku Society, Volume L1:1, February 2026

November 2025 - January 2026


a chick roosting
on the barn cat's head . . .
snowdrifts


scattered flurries
a blue jay buries nuts
in the window box


Winter Challenge Kigo: First Winter Rain, hatsu shigure


first winter rain
for a moment I thought
you walked beside me


Honoured to know that "a chick roosting" was included among the favourites of Dojin Patricia J. Machmiller, and "scattered flurries" was included among the favourites of Dojins Hiroyuki Murakami and Patricia J. Machmiller.

Also honoured that "scattered flurries" was included among the "Voted Best" in the subsequent issue.

Sunday, June 07, 2026

Frogpond, Vol. 48, Number 3, Autumn 2025

Honoured that this issue contains a lovely review of Random Blue Sparks by Allyson Whipple which can be accessed under the book's tab of this blog. Also featured in this issue are the results of the 2025 Haiku Society of America Merit Book Awards in which Random Blue Sparks placed third. The judges' report can also be found under the book's tab of this blog.

Blossoms in the Breeze: Twenty Years of Haiku from the Vancouver Cherry Blossom Festival, 2026

Thrilled to be included in this gorgeous anthology of the top winners of the Vancouver Cherry Blossom Festival Haiku Invitational from 2006-2025. Grateful thanks to the 2017 VCBF Judges, Devar Dahl, Angelee Deodhar, and Billie Wilson, and to the editor, Michael Dylan Welch!


transience . . .
petal by petal
we let go

Canada Winner



 

Upstate Dim Sum, Route 9 Haiku Group - A Biannual Anthology of Haiku and Senryu, Number 1, Spring 2026

Honoured to be the guest poet for this issue of Upstate Dim Sum!


bowed lyre
a willow shouldering
the wind


an obituary
I did not expect to see . . .
frost smoke


someone's mitten
frozen to the slough . . .
fallow fields


empty beach
gulls have lost their reason
to squawk


whale bones
snow makes a church
of them


inky caps
make their own puddles . . .
valley rain


Special thanks to Ion Codrescu for creating this lovely haiga for inclusion in the issue:




Sonic Boom, World Collage Day 2026

My thanks to Shloka Shankar and Robin Smith for selecting the following collage for inclusion in Sonic boom's lovely World Collage Day eBook (24 collages were selected from 80 submissions):




Our Best Haiga: Black and White Haiga/Haisha, May 2026

 Curated by Lavana Kray


May 16, 2026


(note: this tanka art first appeared in Ribbons 17.2, Spring/Summer 2021)

May 31, 2026: "fly" feature (included among Selected Best/Fly for May)


(note: this haiga first appeared in Haiga in Focus #67 in colour)



Stars in the Seaweed, Haiku Canada Members' Anthology 2026

foreclosure
a barn spider ties up
loose ends of light

Shortlisted for Best-of-Issue Award, Presence 75

A Fine Line: The Magazine of the New Zealand Poetry Society, Autumn 2026

mom's vital signs
we decipher the code
of lightning bugs

Selected Haiku, 2025 Yamadera Basho Memorial Haiku Contest

Tuesday, April 28, 2026

The British Haiku Society Awards, 2025

Thrilled to receive the following award:


distant slopes
turning blue at twilight
the soft folds
of this tweed blanket draped
around father's shoulders

Runner-up, The Linda Jeannette Ward Tanka Award


Judge's comments:

I was struck by the poet's apt use of natural imagery. The mountains are losing their shape and form as night begins to settle in. Pairing this image with the soft folds of the blanket (draped around father's shoulders) was so evocative. A fine tanka.

—Alan Peat

Snapshot Press, The Haiku Calendar Competition 2026

Award Winner, The Haiku Calendar Competition 2026 (for March)

Publication - The Haiku Calendar 2027 (Snapshot Press 2026)


sugar maples
small boys running
until they can't

Shortlisted for the Best-of-Issue Award in Presence 81

Romanian Kukai Group, Sharpening the Green Pencil Haiku Contest, 2026

Thrilled to receive 3rd Place in this year's contest


ragged clouds
the sleeping bag inside
a refrigerator box

3rd Place
Sharpening the Green Pencil, 2026


Judge's comments:

One might be tempted to read this as an "as above, so below" haiku — but I see it operating in the opposite direction, along the lines of a certain couplet by the visionary poet William Blake (from "Auguries of Innocence"): "The Beggar's Rags, fluttering in Air, / Does to Rags the Heavens tear." This haiku may represent an even more stinging opprobrium, with the time-release power of its purer "show, don't tell" approach.
—Scott Mason