(note: NHK holds copyright)
Welcome to this archive of my published poetry, photography and art. Thank you for allowing me to share my creative passions with you, and for taking the time to visit. Please be kind, and do not copy any of the content on this site without permission and attribution. All rights reserved © Debbie Strange. I unfold my origami self / and swim into a lake of fire / washing my hair in ashes / the crane-legged words / of a thousand burning poems.
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- A Year Unfolding: Haiku
- Mouth Full of Stones: Haikai eBook
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- Random Blue Sparks
- The Language of Loss: Haiku & Tanka Conversations
- Three-Part Harmony: Tanka Verses
- Warp and Weft: Tanka Threads
Showing posts with label NHK World TV. Show all posts
Showing posts with label NHK World TV. Show all posts
Sunday, February 04, 2018
Friday, October 06, 2017
NHK World TV, Japan, August 2017
Haiku Masters Online Gallery
Haiku Master of the Week, Video - August 15th
Haiku Master of the Week, Video - August 15th
Commentary by Kazuko Nishimura:
In the photo, you can see empty shells abandoned on the beach, yet we can imagine children playing on the beach through the use of the phrase "echoing cries of children". Although the photo seems devoid of life, the haiku adds excitement to the work, filling the audience with the image of a lively summer day. We can also feel nature in the photo, as sand-filled shells allude to waves crashing on the beach. The black frame around the work also seems to add a sense of melancholy, as if it is preparing the audience for the end of summer.
Commentary by Kit Pancoast Nagamura
The delicate ear-shapes of shells half buried in sand works perfectly with the content of the haiku, about the fading echoes of summer. The stillness of the sand, leveled by waves inside the shell hollows, suggests the passing of time, and the possibility that the poem's narrator is referring to summers years gone. Without the photo, the haiku would verge on the simplicity of song lyrics, but combined, the elements are more than the sum of their parts. The words in black, and the photo framed in black (which works visually well with the shell shadows), add a somber note to the work, suggesting a funereal sadness.
(note: NHK holds copyright)
Friday, May 12, 2017
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