Sunday, April 13, 2025

The British Haiku Society Awards, 2024

Thrilled to receive the following award:


lady's tresses
speckling the downs
this autumn night
your fingers untangle
what's left of my hair

Winner, The Linda Jeannette Ward Tanka Award


Judge's comments:

The winning tanka is well crafted in the characteristic s/l/s/l/l style, displaying a thorough knowledge of form, with economy of words and careful line breaks. The pivot line this autumn night encourages imagining rare white orchids dotting the downs beneath autumn stars. I see stars above and stars below. And autumn links with L4 & 5, to build the story, where an older couple share a tender moment, fingers untangle the partner's sparse hair. Line 5 what's left of my hair loops back to line 1 & 2 lady's tresses / speckling the downs to complete this gentle and intimate scene which we can all relate to.

—Marilyn Humbert

Snapshot Press, The Haiku Calendar Competition 2025

Award Runner-up, The Haiku Calendar Competition 2025 (for September)

Publication - The Haiku Calendar 2026 (Snapshot Press, 2024) 


cattle roundup
a charred bean can
full of rain

1st Place (joint)
Sharpening the Green Pencil Haiku Contest, 2024

The Haiku Foundation: The Touchstone Award for Distinguished Books, 2024

I'm honoured that my haiku collection, Random Blue Sparks, was selected for the following honours. My thanks to the esteemed panel of judges, and to John Barlow of Snapshot Press!

April 3, 2025:


Thrilled to say that Random Blue Sparks is one of 76 books longlisted for the 2024 Haiku Foundation Touchstone Distinguished Books Award!


April 10, 2025:

Doubly thrilled to say that Random Blue Sparks is one 18 books shortlisted for the 2024 Haiku Foundation Touchstone Distinguished Books Award!

The Cherita, Book 94, January 2025

Issue: "when it rains"


sorting through

the paint tubes
on my desk

I wonder
what colours my pain
will be today

A Cherita Lighthouse Award


how fragrant

this parched earth
after rain

I can almost
hear the roses
growing

A Cherita Lighthouse Award


world news

a flock
of chickadees

carrying joy
to both the hopeless
and the hopeful


shallow breathing

marks the struggle
between life and death . . .

the last gasp
of autumn colour stolen
by cruel winds


we played

hide-and seek
among rows of corn

silk tassels
woven into rings
around our fingers


two lindens

with their glossy,
heart-shaped leaves

remind me
of the way our bodies
turned silver in the moonlight


humpback whales

slip silently
through the water

why must we puny humans
leave such noise
in our wake


the sculpted blueness

inside
this glacial cave

I run my hand
over its curves
and think of you


a skulk of foxes

must have crept
into my garden last night

this morning, I found
tufts of fire among
the fountain grasses


The Haiku Foundation, Haiku of the Day (formerly Per Diem), March 2025

Selected by David Oates for the theme of "Passages": March 18, 2025 (reprise)


gone too soon
sakura blossoms
my old friends

Sakura Awards, Canada
Vancouver Cherry Blossom Festival Haiku Invitational, 2015




Presence, Number 81, March 2025

Grateful to be included in Ian Storr's last issue as editor, and I thank him for his generous support over the years!


rusted shears
the last bloom
of ladybugs


sugar maples
small boys running
until they can't


the gnarled limbs
of bristlecone pines
old age
contorts our bodies
into something other

Petrichor, Number 27, Pebbles Volume 5, April 2025

 groupthink I don't know what to




Noon: Journal of the Short Poem, Issue 27, April 2025

moorland the beginning and onding of snow


(note: onding = heavy fall of rain or snow)

Our Best Haiga: Black & White Haiga/Haisha, April 2025

 Curated by Lavana Kray


April 1, 2025


(note: this haiga was first published in haikuKATHA, Issue 40, February 2025)


Our Best Haiga: Black & White Haiga/Haisha, March 2025

 Curated by Lavana Kray


March 10, 2025


(note: this tanka received The Excellence Award, Second Place, in the 2024 Mt. Fuji Taisho Tanka Contest)


Kokako, Number 42, April 2025

Grateful to the editor, Graham Bates, for selecting "a fluttering of sparrows" monoprint for the cover:


The following work was also included in this issue:


whooper swans
the turning maples
nearly as loud


devil winds
someone's world
on fire


cultivating
this garden acreage
my hands
rejoice in working
the soil you once tilled


nightingales
once lived in this hazel
I still miss
the soothing cadence
of my father's voice



(note: the haiga above was a collaborative effort - Graham Bates provided the image and  I provided the poem)





Haiku Canada Review, Volume 19, Number 1, February 2025

badlands
I step on the tail
of a dinosaur
 

Haiga in Focus, Issue 81, April 2025

 Curated by Claudia Brefeld


Translated into German





Fresh Out: An Arts and Poetry Collective, April 2025

 Curated by Eric A. Lohman


Featured Artist: April 3, 2025




Fireflies' Light: A Magazine of Short Poems, Issue 31, April 2025

 


Note: this tanka first appeared in Red Lights 18.2, June 2022


Note: this tanka first appeared in The Wise Owl, Daily Verse, July 2024


Note: this tanka first appeared in the TSA Twitter Bird Feature, April 2024


Note: this tanka first appeared The Wise Owl, Daily Verse, July 2024


First Frost, #9, Spring 2025

solo hike the chatter marks of glaciers

Enchanted Garden Haiku Journal, Issue 11, Petulah, April 2025

Translated into Romanian


hanafubuki
the many words
for snow






Daily Haiku: Charlotte Digregorio's Writer's Blog, March 2025

Daily Haiku Special - March 23, 2025


midnight sun
a polar bear's breath
catches fire

3rd Place (joint), 2024 Irish Haiku Society International Haiku Contest


vintage typewriter
the spiderling adds
an asterisk

Judges' Favourites, 2023 Golden Triangle Haiku Contest


an arbutus
sheds its outer bark . . .
my skin
is the only thing
holding me together

Honourable Mention, 2024 Sanford Goldstein International Tanka Contest


Daily Haiga: An Edited Journal of Traditional and Contemporary Haiga, April 2025

Featured Artist: April 3, 2025


Note: this tanka was first published in Presence 80, 2024


Contemporary Haibun, Volume 20, Red Moon Press, 2025

Honoured to have this haiga chosen by Ron Moss for Contemporary Haibun!


(note: this haiga received 2nd Place in the 2024 Jane Reichhold Memorial Haiga Competition)


 

Contemporary Haibun Online, Issue 21.1, April 2025

Haiga Gallery: selected by Ron Moss




The Abstractaphy Initiative, April 2025

 Curated by Richard Grahn



(note: this tanka/kyoka art first appeared on the cover of Prune Juice 38, 2022)


(note: this haiga first appeared in Failed Haiku Senryu Journal 4.39, 2019)


(note: this haiga first appeared in Halibut, October 2018)



Akitsu Quarterly, Spring/Summer 2025

to-do list
a chameleon catches
its 100th fly


beach fair
a palmist reads
the waterline


flooded field
a scurry of dunlins
harvesting worms

Acorn, Number 54, Spring 2025

hurricane lantern
we drop anchor
between planets