Welcome to this archive of my published poetry, photography and art. Thank you for allowing me to share my creative passions with you, and for taking the time to visit. Please be kind, and do not copy any of the content on this site without permission and attribution. All rights reserved © Debbie Strange. I unfold my origami self / and swim into a lake of fire / washing my hair in ashes / the crane-legged words / of a thousand burning poems.
- Archive
- Articles/About
- Awards & Honours
- Images & Words
- Other Writing
- Photography Publications
- Poetry of Light Photography Exhibition
- Readings/Videos
- A Year Unfolding: Haiku
- Mouth Full of Stones: Haikai eBook
- Prairie Interludes: Haiku eChapbook
- Random Blue Sparks: Haiku
- The Language of Loss: Haiku & Tanka Conversations
- Three-Part Harmony: Tanka Verses
- Warp and Weft: Tanka Threads
Thursday, April 25, 2024
Wednesday, April 24, 2024
Presence, Number 78, March 2024
pogonip
I shorten the length
of my stride
rural bus stop
a border collie waits
for his boy
emerging
from a tree-lined tunnel
of fog
I choose not to look back
at my younger self
Horror Senryu Journal, April 2024
seiche effect
the missing man bobs
back and forth
border patrol
a hank of hair caught
on barbed wire
Kokako, Number 40, April 2024
Thrilled to have had work selected for this final print issue!
prairie blizzard the hissing of kerosene
old friends
a trio of puffins
rubbing beaks
city parables . . .
street corner prophets
offering
their thunder to gods
and other strangers
this mountain,
a spiritual gateway . . .
I look
for myself beyond
the forest of clouds
The Heron's Nest, Volume 25, 2023
estate auction
someone's life goes
for a song
hard times
fishing nets tie
the village together
I was thrilled to discover that three readers had commented on "hard times":
Debbie's poem I particularly loved and it has stayed with me partly because I did help out on a small fishing boat many years ago. A small village that relies on fishing for food and income now has to pull together even more to get by. I think the verb 'tie' is perfect here. It has so many connotations.
—Lorraine Haig
When I read this poem, I first thought of the First Nations' and Native American villages being devastated by the failure of the salmon runs. As I sit with it, I realize it applies as well to the Maine villages that were sustained by ground fish, herring, and lobster and are now struggling, held together only by their nets and traps and heritage. The focus can be expanded to the rest of New England, New Brunswick—and truly coastal communities around the world. In eight words, Debbie Strange has captured the impact of our abuse of the oceans as well as inland waters.
—Nancy Orr
Community. Fishing gets them through hard times. The fishing nets are the glue holding the community together.
—Lyle Smith
Red Lights, Vol. 20, Number 1, January 2024
the sacred fire
and solemn truth
of sunrise . . .
we might not see it,
but we know it's there
Melancholia's Garden
on this dark day
we are heartened
by buttercups
turning their faces
toward the sun
a few sprigs
of marjoram to soothe
this anxiety
breathing in, breathing out,
I come back to myself
we did not make
plans for this future
now, it seems
that weeds might be
the only sure thing
Note: this issue also includes my thoughts on the effect tanka has had on my life...
Tanka has enriched my inner and outer worlds beyond measure. It can be isolating to be a writer with disabilities, but this global community is generous, nurturing, enthusiastic, and helpful. Writing tanka allows me to delve deeply into the ways in which nature influences my life and to connect with others through this sharing of experiences and emotions.
Fresh Out: An Arts and Poetry Collective, April 2024
Curated by Eric A. Lohman
Featured Artist: April 3, 2024
Five Fleas Itchy Poetry, March 2024
copyright d®ead
the seven wonders sightseers looking only at themselves
cottontails the garden at a loss for herbs
deckled edges
sailors know how to read
the shoreline
Fireflies' Light: A Magazine of Short Poems, Issue 29, April 2024
Note: this haiku first appeared in Creatrix 63, December 2023
Note: this haiku first appeared in Under the Basho Haiga Gallery, 2021
Note: this haiku first appeared in Haiku Canada Review 15.1, February 2021
Note: this haiku first appeared in Creatrix 62, September 2023
Folk Ku: A Journal in Honour of Master Masoka Shiki (1867-1902), King River Press - Award Nomination 2023
Thrilled to have the following poem nominated by the editor and longlisted by The Haiku Foundation for the 2023 Touchstone Award:
snow grains
the field dad had no time
to plant
Folk Ku, Issue 1, May 2023
#FemkuMag, Issue 35, Spring 2024
Honoured to have the following haiga selected by guest editor Vandana Parashar for this International Women's Month issue:
Enchanted Garden Haiku Journal, Issue 7: Moments in the Garden, Anniversary Edition, April 2024
Translated into Romanian
rain chains
singing in our garden
calla lilies
open their pink mouths
to cup the hymn of spring
Eucalypt, Issue 24, May 2018
Daily Haiku: Charlotte Digregorio's Writer's Blog, March 2024
Daily Haiku Special: March 25, 2024
marsh marigolds
dark waters patched
with light
Highly Commended
New Zealand International Poetry Competition, 2023
drifting sands
sometimes the poem
writes itself
Winner
Drifting Sands Wearable Art and Haiku Contest, 2023
there was
so much I wanted
to teach you . . .
a blue jay's feathers
are not really blue
1st Place
San Francisco International Competition for Haiku, Senryu and Tanka, 2023
Acorn, Number 52, Spring 2024
prairie heatwave
a kestrel's wing fans
the grass
The Heron's Nest, Volume 24, 2022
krill migration
humpback whales
scoop up the stars
rattling gourds
the music we grew
in our garden
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