Tuesday, August 15, 2023

Wales Haiku Journal, Summer 2023

let them say
what they will . . .
mistral winds

Suspect Device Punkzine, Number 12, August 2023

Turning Japanese: AIku


language processing the inandoutput of subwords

Half Day Moon Journal, Issue No. 1, August 2023

spring thaw : the ice steps out of its skin


the once upon a time nevermore of it all


backscatter the almost of an echo


old
the
from
emerging
life
new
ecology
carcass
 

Our Best Haiga: Black & White Haiga/Haisha, August 2023

 Curated by Lavana Kray


August 12, 2023


(note: this haiku was first published in a different haiga in Akitsu Quarterly, Spring 2021)



Wednesday, August 02, 2023

Prune Juice, Issue 40, August 2023

Thrilled to have the following work selected by Mike Rehling for the 2023 H. Gene Murtha Memorial Senryu Contest:


foetal/fatal the absence of almost-presence

Highly Commended

The Wise Owl, Russet and Gold Edition, August 2023

Thrilled to have the following digital collage series, "Seasonal Snippets", featured in this edition:






 

Under the Basho, 2023

Personal Best

busker's hat
a child offers coins
of dried lunaria

1st Place, 2022 Bloodroot Haiku Award


Haiku

tern colony
mossy cliffs absorb
the racket


Postku

quaking grass so too i


fruiting bodies the scattered seeds of war


Haiga Gallery





Time Haiku, Number 58, August 2023

purple heather patches of light here then gone


ghost town
a sand dune
makes itself at home


the things
our headlights miss . . .
late-night radio


snow moon
the last train
to nowhere


tonight
I imagine myself
a tree,
canopy full
of roosting stars

The Take 5ive Journal, July 2023

Theme: The Plight of Refugees


refugees
try to cross the border . . .
this tree well
lined with frozen bits
of moss and rabbit fur
 

Sonic Boom Annual Vispo Contest, 2023

Thrilled to have the following vispo (visual poetry) shortlisted and selected by Shloka Shankar and Robin Smith for this year's gallery:


Artist's Statement:

A word-weaving of culled Wikipedia details regarding Treaty 1 (in my home province of Manitoba) affixed to stained watercolour paper, referencing the boil-water advisories on many First Nations in Canada.



Ribbons, Volume 19, Number 2, Spring/Summer 2023

wax and wane


a tenderness
of snowdrops emerges
every spring
this temptation to fall
in love with you again

dandelion wishes
stolen by furtive winds
when you asked
for your freedom,
I promised to let go

wet cobbles
outside the flower shop
fallen petals
have pasted a rainbow
to this dirty street







Presence, Number 76, July 2023

hilltop gorse
the ears of a hare
of not


late again
the soft tut-tut
of a robin


the mountains
veiled with aurora
and snow . . .
it was just about here
that I lost my way


I was delighted to discover that the following haiku was shortlisted for the Best-of-Issue Award in Presence 75:


foreclosure
a barn spider ties up
loose ends of light

Our Best Haiga: Black & White Haiga/Haisha, July 2023

 Curated by Lavana Kray


July 18, 2023


(note: this tanka art first appeared in colour on the Triveni Haikai site in January 2023)



Otoliths, Issue 70, Southern Winter (August) 2023

Honoured to have the following six collages selected by editor Mark Young for the final issue:









NeverEnding Story, June 2023

Translated into Chinese by Chen-ou Liu: 


angry words
the gossip of gulls
d r i f t i n g

Failed Haiku 7, 2016
Mouth Full of Stones, 2020


Chen-ou Liu's Comments:

L1 sets the tone and mood of the haiku while the cacophonous squawking of gulls in Ls 2&3 not only provides an emotionally and auditorily resonant link-and-shift relationship with L1, but also gives a hint of what caused these angry words/response. And the layout of L3 implies the spread of this gossip...

Muse India, Vasant Ritu Issue 108, March - April 2023

Honoured to have the following haiga selected by Kala Ramesh for the Haikai Special Feature:


Artist's Statement:

"Moonlight" is one word, but a "long night moon" is the full moon in December near the solstice, and "light pillars are optical phenomena, so they are two separate images. I have written this one-liner to take advantage of dual-reading:

long night / moon light pillars punctuate / the city skyline

long night moon / light pillars punctuate / the city skyline





Heliosparrow Poetry Journal, July 2023

 Thrilled to have the following two digital collages featured on July 7, 2023:





Haiku North America Conference 2023

My thanks to Jim Kacian and Julie Schwerin for hosting a reading of  poems by The New Resonance Community:


skinny-dipping the moon snail's umbilicus

Runner-up
British Haiku Society David Cobb Haiku Award, 2022
 

Haiku North America Conference 2023

Picturing Urban: A Gallery of City-themed haiga and photo haiku curated by Linda Papanicolaou and presented at the Haiku North America Conference 2023:





Haiga in Focus: Issue 63, August 2023

Curated by Claudia Brefeld


Translated into German



 

Fresh Out: An Arts and Poetry Collective, August, 2023

 Curated by Eric A. Lohman


Featured Artist: August 2, 2023


(Note: this haiku first appeared in Modern Haiku 53.1)



Fresh Out: An Arts and Poetry Collective, July 2023

 Curated by Eric A. Lohman


Featured Artist: July 1, 2023


(Note: this haiku first appeared in The Heron's Nest 22.4)

Featured Artist: July 7, 2023


(Note: this haiku first appeared in Geppo 47.3)

Featured Artist: July 21, 2023


(Note: this tanka first appeared in Ribbons 17.1)




Failed Haiku - A Journal of English Senryu, Vol. 8, Issue 92, August 2023

My thanks to editor Bryan Rickert for selecting the following haiga: 



Enchanted Garden Haiku Journal, Issue 3: Beyond, August 2023

Translated into Romanian


breaching orcas
we sail the long way
around
 

Contemporary Haibun Online, Issue 19.2, August 2023

Haiga Gallery: selected by Ron Moss




A Fine Line: The Magazine of the New Zealand Poetry Society, Winter 2023

frozen trough
I cup the warm breath
of my horse

1st Place
Sharpening the Green Pencil Haiku Contest 2018


prairie blizzard
squirrels take the shape
of their tails

Zatsuei Haiku of Merit, World Haiku Review 2021-2022