Wednesday, June 18, 2025

Geppo: The Work-Study Journal of the Yuki Teikei Haku Society, Volume XLIX:4, November 2024

August - October 2024


leaf confetti
a child's face daubed
with mud


corn snow
squirrels talking smack
outside the window


the house
where we were born . . .
bull thistles


circling hawks
the earth tilts
on its axis


Autumn Challenge Kigo: Milky Way, amanogawa


sea shanties
the Milky Way snagged
in our rigging


Honoured to know that "leaf confetti" and "circling hawks" were included among Dojin Hiroyuki Murakami's favourites!

Also honoured that "circling hawks" was chosen for commentary in the subsequent issue:


Dojin's Corner:

This haiku reminds me of the famous haiku by Japanese poet Ueda Gosengoku (1933-1997), migrating birds / I became smaller / instantly." The author's mind must be in harmony with the hawks in the sky to create a haiku from this perspective. Magnificent and free, it is an excellent haiku that shows empathy for animals.

—Hiroyuki Murakami

I think the poet is seeing earth from the hawk's point of view. They have risen so high they can see the earth's tilt!

—Patricia J. Machmiller

The haiku reveals the fact that hawks are responsible for the earth circling on its axis.

—Emiko Miyashita

I was also thrilled to know that Janice Doppler included the following haiku in her article "Pondering Zōka". This haiku was also selected for her book "One Thread: Zōka in Contemporary Haiku (2024):


peat fire
the scent markings
of other worlds

Frogpond 46:3 (2023)









 

Best of Geppo: 1978-2024, 2025

Grateful to have the following photograph included in this lovely anthology:


Bespangled
 

(note: this photograph was included among my featured artist selections in Geppo XLVII:2, 2022)


World Haiku Association, Number 21, 2025

Translated into Japanese


vespers
the mantis begins
to sway


fledged robins
a discarded kettle
lined with mud


beaver dam
salmon seek refuge
from the drought


Note: these haiku previously appeared in Akitsu Quarterly
 

Suspect Device Punkzine, Number 16, June 2025

Turning Japanese : Crossroads


autumn winds
a shift in the balance
of power

Shadow Pond Journal, Issue 5, June 2025

theme: love


golden anniversary the moonflower's heart-shaped leaves

Our Best Haiga: Black & White Haiga/Haisha, June 2025

 Curated by Lavana Kray


June 3, 2025


(note: this haiga first appeared in colour in Failed Haiku 9:106, January 2025)


Mariposa, Number 52, Spring/Summer 2025

wolf willow
our horses spook
in the wind


prairie gumbo
the year of the lilies
that weren't

A Confluence of Mythology, Haiku Canada Members' Anthology 2025

scrub jay
nothing left of the blue
in dad's jeans

2nd Place, 2024 Betty Drevniok Award

Folk Ku: A Journal in Honour of Master Masoka Shiki (1867-1902), King River Press, Issue 5, June 2025

theme: water


remission
a whale breaks its bond
with the ocean


sunday rain
the barley heads
bow down

Daily Haiga: An Edited Journal of Traditional and Contemporary Haiga, June 2025

Featured Artist: June 8, 2025


Note: this haiku was first published in Geppo XLIX:3, 2024


Eucalypt, Issue 38, May 2025

a typewriter
left in our woodland . . .
who sat here
transcribing the tales
of wind, rain, and pine

The Art of Tanka, Issue 4, Spring/Summer 2025

my apron full
of grandmother's sage
the blue scent
of prairie horizons
after longed-for rain

Tuesday, June 03, 2025

Manitoba Writers' Guild, Rabindranath Tagore Poetry Competition 2025

Honoured to know that my poem "consolation prize" was longlisted for the Rabindranath Tagore Poetry Competition. As the work remains unpublished, I won't post it here so that it will be free to send out into the world again!


Whiptail: Journal of the Single-line Poem, Issue 13, June 2025

 wind-whipped mourning clothes a murmuration of blackbirds




Waka Society of America, Petals Journal (Waka in English), Premier Edition, May 2025

Honoured to have the following waka selected by the editor, an'ya, for the inaugural issue of Petals:


I watched you
riding over bare hills
toward home
your palomino's mane
sifting the last sunrays


this glass bowl
of mollusc fragments
you showed me
how to catch the light
and how to let it go


chinook winds
keening your name
I am stung
by gusts of grief
and helplessness


pale bodies
glistening with sand
and water
the skin of our youth
sculpted by sunlight

Tinywords, Issue 25.1, May 2025


Note: this haiku received 1st Place in the 2024 Triveni Awards


 

Quail Eggs: A Tanka Journal, Issue 1, June 2025

Honoured to have had the following two tanka selected by the editor, Alison Williams, for the inaugural issue:


a gull's shriek
carries me elsewhere . . .
images
of unborn children splashing
at the edges of my mind


icy clusters
of sumac berries droop
and shrivel
small flames doused
before they had a chance

Our Best Haiga: Black & White Haiga/Haisha, May 2025

 Curated by Lavana Kray


May 21, 2025


(note: this haiga first appeared in colour in Chrysanthemum 32, 2024)



New Zealand Poetry Society, Online Feature, February 2025

Grateful to have had an online feature (social media) on February 28, 2025. My thanks to Kim Martins for the honour!


meadowlarks
the grace notes that follow
me home

Blithe Spirit, Number 26.2


weathered oars
we fold our worries
into the river

Acorn, Number 42
 

New Zealand Poetry Society, Member Monday Online Feature, January 25

Honoured to be the featured poet for the New Zealand Poetry Society's online (social media) Member Monday feature on January 13, 2025. My thanks to Kim Martins for the invitation!

Debbie lives in Manitoba, Canada. She has made her home in rural and urban communities in each of the four western Canadian provinces, from the prairies to the ocean. Poetry of place features in much of her haiku and tanka. Debbie’s daily creative practice is a form of meditation and healing, helping to mitigate the effects of chronic illness, and connecting her more closely to the world, to others, and to herself.

Debbie’s third-floor writing room looks out onto a gorgeous row of lindens, fragrant in summer, and frosted in winter. Their branches are often filled with chickadees and finches, punctuating the days with song.

Debbie loves:

.   playing guitar, singing, songwriting

.   wind & waves, fog & frost, sunsets & aurora

.   camping, birdwatching, gardening

.   making haiga using watercolours, inks, acrylics

.   collage, paper crafts, miniatures

.   visiting with her sisters

.   Scrabble with her husband

Debbie’s camera is her constant companion. She has been making photographs for decades, whilst exploring the wilds with her husband and their dogs in a 1978 lime-green VW campervan named “Ludwig”. Her photography exhibition, “The Poetry of Light”, explores the subtle and flamboyant nuances of light, reflection, and refraction. Now that Debbie’s vision is compromised, she often uses intentional camera movement and diffusion techniques to create dreamlike images.

At the beginning of the Covid pandemic, Debbie invited 50 emerging and established short-form poets to collaborate on an online haiga project for healing. She enjoys creating haiga galleries and films for The Haiku Foundation, and recently contributed an essay discussing colour and the ways in which it impacts her work.

Debbie’s full-length haiku collection, “Random Blue Sparks”, winner of the 2020 Snapshot Press Book Award, has just been released:

dead orchard
the random blue sparks
of woolly aphids

3rd Place, Irish Haiku Society Int’l Contest, 2018

Haiga in Focus, Issue 83, June 2025

 Curated by Claudia Brefeld


Translated into German





Dadakuku, May 2025

inner pinna


that song in my earwigging

Creatrix: Poetry and Haiku Journal, Number 69, June 2025

street piano
the pigeon pecks
a few notes


off-grid cabin
we undo the mischief
of mice


leaf shadow
a ladybug loses
one spot

Blithe Spirit, Volume 35, Number 2, May 2025

a fairy door
at the willow's base . . .
sun-glade


I turn
my gaze inward
how dark
this long journey
back into the light
 

Akita International Haiku Network, 2025

Honoured to be included in the Haiku Beyond Earth Series, with five haiku selected from my chapbook "A Year Unfolding" (Folded Word, 2017) on March 17, 2025. I'm grateful to Hidenori Hiruta for translating these haiku into Japanese:



white bells
ringing the changes
lily of the valley


muddy jeans
the pasture speckled
with crocuses


in the hills
cattle lowing between
silences


wind gusts
a rotten burl full
of wild plums


in the pond
a white begonia
and old news

Friday, May 16, 2025

Wales Haiku Journal, Spring 2025

spring peepers the spaces in between


penumbra
the ring around
a vireo's eye




Tsuri-doro: A Small Journal of Haiku and Senryu, Issue #27, May/June 2025

a choirboy's ruff white daffodils

Triveni Haikai India: haikuKATHA - unfolding the story within, Issue 42, April 2025

My thanks to the editors for including the following haiga:



The Solitary Daisy, Issue 49, April 2025

Grateful to have the following work reposted from Charlotte Digregorio's blog:

midnight sun
a polar bear's breath
catches fire

3rd Place (joint), 2024 Irish Haiku Society International Haiku Contest


vintage typewriter
the spiderling adds
an asterisk

Judges' Favourites, 2023 Golden Triangle Haiku Contest


an arbutus
sheds its outer bark . . .
my skin
is the only thing
holding me together

Honourable Mention, 2024 Sanford Goldstein International Tanka Contest


Tea: All the Time it Takes, A Haiku Anthology, 2025

My thanks to Denise Fontaine-Pincince, the editor, for including my work in this lovely anthology!


Sunday visit
the sounding bells
of china cups

Haiku Canada Review, Volume 12, Number 2, 2018

Sonic Boom, World Collage Day 2025

My thanks to Shloka Shankar and Robin Smith for selecting the following collage for inclusion in Sonic Boom's gorgeous World Collage Day eBook (18 collages were selected from 90 submissions):




Seashores - An International Journal to Share the Spirit of Haiku, Vol. 14, April 2025

My thanks to guest editors K.J. Munro and Sherry Grant for selecting the following work:


coming rain
the frogs croak
louder


black sand beach
a chunk of ice
holds the sky


flagstone path
empty spaces softened
by moss


I'm beyond grateful to Tim Dwyer for his lovely review of Random Blue Sparks in this issue. The review can be accessed under the Random Blue Sparks tab of this blog.

Ribbons, Volume 21, Number 1, Spring/Summer 2025

the way it makes me feel


sometimes
it all seems too much
to bear,
but then comes the rain
and a wood thrush singing

the scent
of petrichor through
open shutters . . .
a curtain billows
and I, too, am flying


Honoured to have the following tanka selected by Jim Chessing for his article, "How Tanka Mean—Some Thoughts on Content and Form: Part I":


I have learned
how to keep silent . . .
these pebbles
under my tongue
seasoned with rue

Cattails, April 2021


(note: "ikigai" means having a sense of purpose)



The One Art Haiku Anthology, 2025

Curated by Katie Dozier


forcing bulbs
girls who have learned
the hard way

Humana Obscura, Issue Number 12, Spring 2025

snowslip
what we lose
along the way

Heliosparrow Poetry Journal, May 2025

Featured May 6, 2025:


Featured May 8, 2025:


Featured May 11, 2025:






Heliosparrow Poetry Journal, April 2025

Featured April 22, 2025:


Featured April 26, 2025:






Hedgerow Poems, Number 148, 2025

sap wells
hummingbirds know
when to arrive

Haiga in Focus, Issue 82, May 2025

 Curated by Claudia Brefeld


Translated into German




Fevers of the Mind Poetry, Art & Music: A Haiga and Tanka Art Showcase, May 2025

My thanks to the editor, David L. O'Nan for the showcase feature!


(note: this tanka received 3rd place in the 2020 San Francisco International Competition for Haiku, Senryu and Tanka)


(note: this tanka received Commended honours in the 2020 The Burning Issue Tanka Contest)


(note: this monoku received 2nd Place in the 2021 Marlene Mountain Memorial Haiku Contest)


(note: this haiga was part of my woven paper series in Whiptail, Issue 7, 2023)


(ntoe: this tanka received Commended honours in the 2020 The Burning Issue Tanka Contest)




Failed Haiku - A Journal of English Senryu, Vol. 10, Number 109, May 2025

Honoured to have the following haiga selected by Kelly Moyer, the new editor:



 

Wondrous Instruction and Advice from Global Poets: How to Write and Publish Moving Poems and Books and Publicize Like a Pro, Charlotte Digregorio, 2025

Honoured to have the following pieces accepted for this "coffee table-size, reference book for beginning and seasoned poets, authors, and teachers." My thanks to Charlotte Digregorio!


Selected from Daily Haiku - "Love: the Good, Bad, or Ugly" 

letters tied
with wind-peeled ribbons
of birch bark . . .
I guess you must have
loved me after all

Eucalypt, Issue 33, December 2022


Selected from Daily Haiku - "40 Poems Selected on the Theme of Borders":

refugees
try to cross the border . . .
this tree well
lined with frozen bits
of moss and rabbit fur

The Take 5ive Journal, July 2023


Delighted to have my comment selected for inclusion in Charlotte's survey asking respondents to comment on one of Robert Spiess's speculations from his book, "A Year's Speculations on Haiku," (Modern Haiku, 1995):

"Haiku are written best and appreciated best through the intelligence of the heart."

How do you interpret "the intelligence of the heart"?

My comment:

Perhaps Robert was referring to the relationship between cognitive and emotional intelligence. I think writing and reading short-form poetry fosters a deep mind-body connection. Much like the single brushstroke of an incomplete ensō, the writer leaves an opening for the reader to enter. Short poems, in particular, must not only be intelligently crafted, but they must also strike an emotional chord in the reader's heart.



Daily Haiga: An Edited Journal of Traditional and Contemporary Haiga, May 2025

Featured Artist: May 3, 2025


Note: this haiku was first published in Kokako 36, 2020

Featured Artist: May 17, 2025


Note: this haiku was first published in Acorn 52, 2024





Sakura Haiku Challenge Anthology - Consulate General of Japan in Toronto, 2025

The following haiga was presented online for the Sakura Haiku Challenge and is included in the 2025 anthology:




The Cherita, Book 95, February 2025

Issue: "snowfall"


old masters' gallery . . .

I pause
to consider

how light and shadow
define every aspect
of my life
 

Chrysanthemum, Number 34, April 2025

Translated into German



Cattails, April 2025

nurses move her
to a private room . . .
blackthorn winter


starless night . . .
sparks from our campfire
transforming
into constellations
we have no time to name




The British Haiku Society, International Haiku Day Haiga Greeting Card Competition, 2025

Honoured to know that the following haiga greeting card was selected as the winner (unanimous!) of this competition on the theme of "light", and it was forwarded to all British Haiku Society members on International Haiku Poetry Day, April 17, 2025:



  

Autumn Moon Haiku Journal, 8:2, Spring/Summer 2025

we emerge
from hibernation
aspen catkins


fox den
a white feather pinned
to the grass

A Fine Line: The Magazine of the New Zealand Poetry Society, Autumn 2025

the arabesque
of cherry branches . . .
frayed toe shoes

Honourable Mention, 2024 Solitary Daisy Haiku Contest

Sunday, April 13, 2025

The British Haiku Society Awards, 2024

Thrilled to receive the following award:


lady's tresses
speckling the downs
this autumn night
your fingers untangle
what's left of my hair

Winner, The Linda Jeannette Ward Tanka Award


Judge's comments:

The winning tanka is well crafted in the characteristic s/l/s/l/l style, displaying a thorough knowledge of form, with economy of words and careful line breaks. The pivot line this autumn night encourages imagining rare white orchids dotting the downs beneath autumn stars. I see stars above and stars below. And autumn links with L4 & 5, to build the story, where an older couple share a tender moment, fingers untangle the partner's sparse hair. Line 5 what's left of my hair loops back to line 1 & 2 lady's tresses / speckling the downs to complete this gentle and intimate scene which we can all relate to.

—Marilyn Humbert

Snapshot Press, The Haiku Calendar Competition 2025

Award Runner-up, The Haiku Calendar Competition 2025 (for September)

Publication - The Haiku Calendar 2026 (Snapshot Press, 2025) 


cattle roundup
a charred bean can
full of rain

1st Place (joint)
Sharpening the Green Pencil Haiku Contest, 2024

The Haiku Foundation: The Touchstone Award for Distinguished Books, 2024

I'm honoured that my haiku collection, Random Blue Sparks, was selected for the following honours. My thanks to the esteemed panel of judges, and to John Barlow of Snapshot Press!

April 3, 2025:


Thrilled to say that Random Blue Sparks was one of 76 books longlisted for the 2024 Haiku Foundation Touchstone Distinguished Books Award!


April 10, 2025:

Doubly thrilled to say that Random Blue Sparks was one of 18 books shortlisted for the 2024 Haiku Foundation Touchstone Distinguished Books Award!

The Cherita, Book 94, January 2025

Issue: "when it rains"


sorting through

the paint tubes
on my desk

I wonder
what colours my pain
will be today

A Cherita Lighthouse Award


how fragrant

this parched earth
after rain

I can almost
hear the roses
growing

A Cherita Lighthouse Award


world news

a flock
of chickadees

carrying joy
to both the hopeless
and the hopeful


shallow breathing

marks the struggle
between life and death . . .

the last gasp
of autumn colour stolen
by cruel winds


we played

hide-and seek
among rows of corn

silk tassels
woven into rings
around our fingers


two lindens

with their glossy,
heart-shaped leaves

remind me
of the way our bodies
turned silver in the moonlight


humpback whales

slip silently
through the water

why must we puny humans
leave such noise
in our wake


the sculpted blueness

inside
this glacial cave

I run my hand
over its curves
and think of you


a skulk of foxes

must have crept
into my garden last night

this morning, I found
tufts of fire among
the fountain grasses


The Haiku Foundation, Haiku of the Day (formerly Per Diem), March 2025

Selected by David Oates for the theme of "Passages": March 18, 2025 (reprise)


gone too soon
sakura blossoms
my old friends

Sakura Awards, Canada
Vancouver Cherry Blossom Festival Haiku Invitational, 2015




Presence, Number 81, March 2025

Grateful to be included in Ian Storr's last issue as editor, and I thank him for his generous support over the years!


rusted shears
the last bloom
of ladybugs


sugar maples
small boys running
until they can't


the gnarled limbs
of bristlecone pines
old age
contorts our bodies
into something other

Petrichor, Number 27, Pebbles Volume 5, April 2025

 groupthink I don't know what to




Noon: Journal of the Short Poem, Issue 27, April 2025

moorland the beginning and onding of snow


(note: onding = heavy fall of rain or snow)

Our Best Haiga: Black & White Haiga/Haisha, April 2025

 Curated by Lavana Kray


April 1, 2025


(note: this haiga was first published in haikuKATHA, Issue 40, February 2025)


Our Best Haiga: Black & White Haiga/Haisha, March 2025

 Curated by Lavana Kray


March 10, 2025


(note: this tanka received The Excellence Award, Second Place, in the 2024 Mt. Fuji Taisho Tanka Contest)


Kokako, Number 42, April 2025

Grateful to the editor, Graham Bates, for selecting "a fluttering of sparrows" monoprint for the cover:


The following work was also included in this issue:


whooper swans
the turning maples
nearly as loud


devil winds
someone's world
on fire


cultivating
this garden acreage
my hands
rejoice in working
the soil you once tilled


nightingales
once lived in this hazel
I still miss
the soothing cadence
of my father's voice



(note: the haiga above was a collaborative effort - Graham Bates provided the image and  I provided the poem)





Haiku Canada Review, Volume 19, Number 1, February 2025

badlands
I step on the tail
of a dinosaur
 

Haiga in Focus, Issue 81, April 2025

 Curated by Claudia Brefeld


Translated into German





Fresh Out: An Arts and Poetry Collective, April 2025

 Curated by Eric A. Lohman


Featured Artist: April 3, 2025




Fireflies' Light: A Magazine of Short Poems, Issue 31, April 2025

 


Note: this tanka first appeared in Red Lights 18.2, June 2022


Note: this tanka first appeared in The Wise Owl, Daily Verse, July 2024


Note: this tanka first appeared in the TSA Twitter Bird Feature, April 2024


Note: this tanka first appeared The Wise Owl, Daily Verse, July 2024


First Frost, #9, Spring 2025

solo hike the chatter marks of glaciers

Enchanted Garden Haiku Journal, Issue 11, Petulah, April 2025

Translated into Romanian


hanafubuki
the many words
for snow






Daily Haiku: Charlotte Digregorio's Writer's Blog, March 2025

Daily Haiku Special - March 23, 2025


midnight sun
a polar bear's breath
catches fire

3rd Place (joint), 2024 Irish Haiku Society International Haiku Contest


vintage typewriter
the spiderling adds
an asterisk

Judges' Favourites, 2023 Golden Triangle Haiku Contest


an arbutus
sheds its outer bark . . .
my skin
is the only thing
holding me together

Honourable Mention, 2024 Sanford Goldstein International Tanka Contest


Daily Haiga: An Edited Journal of Traditional and Contemporary Haiga, April 2025

Featured Artist: April 3, 2025


Note: this tanka was first published in Presence 80, 2024


Featured Artist: April 15, 2025





Contemporary Haibun, Volume 20, Red Moon Press, 2025

Honoured to have this haiga chosen by Ron Moss for Contemporary Haibun!


(note: this haiga received 2nd Place in the 2024 Jane Reichhold Memorial Haiga Competition)


 

Contemporary Haibun Online, Issue 21.1, April 2025

Haiga Gallery: selected by Ron Moss




The Abstractaphy Initiative, April 2025

 Curated by Richard Grahn



(note: this tanka/kyoka art first appeared on the cover of Prune Juice 38, 2022)


(note: this haiga first appeared in Failed Haiku Senryu Journal 4.39, 2019)


(note: this haiga first appeared in Halibut, October 2018)