Wednesday, June 18, 2025

Geppo: The Work-Study Journal of the Yuki Teikei Haku Society, Volume XLIX:4, November 2024

August - October 2024


leaf confetti
a child's face daubed
with mud


corn snow
squirrels talking smack
outside the window


the house
where we were born . . .
bull thistles


circling hawks
the earth tilts
on its axis


Autumn Challenge Kigo: Milky Way, amanogawa


sea shanties
the Milky Way snagged
in our rigging


Honoured to know that "leaf confetti" and "circling hawks" were included among Dojin Hiroyuki Murakami's favourites!

Also honoured that "circling hawks" was chosen for commentary in the subsequent issue:


Dojin's Corner:

This haiku reminds me of the famous haiku by Japanese poet Ueda Gosengoku (1933-1997), migrating birds / I became smaller / instantly." The author's mind must be in harmony with the hawks in the sky to create a haiku from this perspective. Magnificent and free, it is an excellent haiku that shows empathy for animals.

—Hiroyuki Murakami

I think the poet is seeing earth from the hawk's point of view. They have risen so high they can see the earth's tilt!

—Patricia J. Machmiller

The haiku reveals the fact that hawks are responsible for the earth circling on its axis.

—Emiko Miyashita

I was also thrilled to know that Janice Doppler included the following haiku in her article "Pondering Zōka". This haiku was also selected for her book "One Thread: Zōka in Contemporary Haiku (2024):


peat fire
the scent markings
of other worlds

Frogpond 46:3 (2023)









 

Best of Geppo: 1978-2024, 2025

Grateful to have the following photograph included in this lovely anthology:


Bespangled
 

(note: this photograph was included among my featured artist selections in Geppo XLVII:2, 2022)


World Haiku Association, Number 21, 2025

Translated into Japanese


vespers
the mantis begins
to sway


fledged robins
a discarded kettle
lined with mud


beaver dam
salmon seek refuge
from the drought


Note: these haiku previously appeared in Akitsu Quarterly
 

Suspect Device Punkzine, Number 16, June 2025

Turning Japanese : Crossroads


autumn winds
a shift in the balance
of power

Shadow Pond Journal, Issue 5, June 2025

theme: love


golden anniversary the moonflower's heart-shaped leaves

Our Best Haiga: Black & White Haiga/Haisha, June 2025

 Curated by Lavana Kray


June 3, 2025


(note: this haiga first appeared in colour in Failed Haiku 9:106, January 2025)


Mariposa, Number 52, Spring/Summer 2025

wolf willow
our horses spook
in the wind


prairie gumbo
the year of the lilies
that weren't

A Confluence of Mythology, Haiku Canada Members' Anthology 2025

scrub jay
nothing left of the blue
in dad's jeans

2nd Place, 2024 Betty Drevniok Award

Folk Ku: A Journal in Honour of Master Masoka Shiki (1867-1902), King River Press, Issue 5, June 2025

theme: water


remission
a whale breaks its bond
with the ocean


sunday rain
the barley heads
bow down

Daily Haiga: An Edited Journal of Traditional and Contemporary Haiga, June 2025

Featured Artist: June 8, 2025


Note: this haiku was first published in Geppo XLIX:3, 2024


Eucalypt, Issue 38, May 2025

a typewriter
left in our woodland . . .
who sat here
transcribing the tales
of wind, rain, and pine

The Art of Tanka, Issue 4, Spring/Summer 2025

my apron full
of grandmother's sage
the blue scent
of prairie horizons
after longed-for rain

Tuesday, June 03, 2025

Manitoba Writers' Guild, Rabindranath Tagore Poetry Competition 2025

Honoured to know that my poem "consolation prize" was longlisted for the Rabindranath Tagore Poetry Competition. As the work remains unpublished, I won't post it here so that it will be free to send out into the world again!


Whiptail: Journal of the Single-line Poem, Issue 13, June 2025

 wind-whipped mourning clothes a murmuration of blackbirds




Waka Society of America, Petals Journal (Waka in English), Premier Edition, May 2025

Honoured to have the following waka selected by the editor, an'ya, for the inaugural issue of Petals:


I watched you
riding over bare hills
toward home
your palomino's mane
sifting the last sunrays


this glass bowl
of mollusc fragments
you showed me
how to catch the light
and how to let it go


chinook winds
keening your name
I am stung
by gusts of grief
and helplessness


pale bodies
glistening with sand
and water
the skin of our youth
sculpted by sunlight

Tinywords, Issue 25.1, May 2025


Note: this haiku received 1st Place in the 2024 Triveni Awards


 

Quail Eggs: A Tanka Journal, Issue 1, June 2025

Honoured to have had the following two tanka selected by the editor, Alison Williams, for the inaugural issue:


a gull's shriek
carries me elsewhere . . .
images
of unborn children splashing
at the edges of my mind


icy clusters
of sumac berries droop
and shrivel
small flames doused
before they had a chance

Our Best Haiga: Black & White Haiga/Haisha, May 2025

 Curated by Lavana Kray


May 21, 2025


(note: this haiga first appeared in colour in Chrysanthemum 32, 2024)



New Zealand Poetry Society, Online Feature, February 2025

Grateful to have had an online feature (social media) on February 28, 2025. My thanks to Kim Martins for the honour!


meadowlarks
the grace notes that follow
me home

Blithe Spirit, Number 26.2


weathered oars
we fold our worries
into the river

Acorn, Number 42
 

New Zealand Poetry Society, Member Monday Online Feature, January 25

Honoured to be the featured poet for the New Zealand Poetry Society's online (social media) Member Monday feature on January 13, 2025. My thanks to Kim Martins for the invitation!

Debbie lives in Manitoba, Canada. She has made her home in rural and urban communities in each of the four western Canadian provinces, from the prairies to the ocean. Poetry of place features in much of her haiku and tanka. Debbie’s daily creative practice is a form of meditation and healing, helping to mitigate the effects of chronic illness, and connecting her more closely to the world, to others, and to herself.

Debbie’s third-floor writing room looks out onto a gorgeous row of lindens, fragrant in summer, and frosted in winter. Their branches are often filled with chickadees and finches, punctuating the days with song.

Debbie loves:

.   playing guitar, singing, songwriting

.   wind & waves, fog & frost, sunsets & aurora

.   camping, birdwatching, gardening

.   making haiga using watercolours, inks, acrylics

.   collage, paper crafts, miniatures

.   visiting with her sisters

.   Scrabble with her husband

Debbie’s camera is her constant companion. She has been making photographs for decades, whilst exploring the wilds with her husband and their dogs in a 1978 lime-green VW campervan named “Ludwig”. Her photography exhibition, “The Poetry of Light”, explores the subtle and flamboyant nuances of light, reflection, and refraction. Now that Debbie’s vision is compromised, she often uses intentional camera movement and diffusion techniques to create dreamlike images.

At the beginning of the Covid pandemic, Debbie invited 50 emerging and established short-form poets to collaborate on an online haiga project for healing. She enjoys creating haiga galleries and films for The Haiku Foundation, and recently contributed an essay discussing colour and the ways in which it impacts her work.

Debbie’s full-length haiku collection, “Random Blue Sparks”, winner of the 2020 Snapshot Press Book Award, has just been released:

dead orchard
the random blue sparks
of woolly aphids

3rd Place, Irish Haiku Society Int’l Contest, 2018

Haiga in Focus, Issue 83, June 2025

 Curated by Claudia Brefeld


Translated into German





Dadakuku, May 2025

inner pinna


that song in my earwigging

Creatrix: Poetry and Haiku Journal, Number 69, June 2025

street piano
the pigeon pecks
a few notes


off-grid cabin
we undo the mischief
of mice


leaf shadow
a ladybug loses
one spot

Blithe Spirit, Volume 35, Number 2, May 2025

a fairy door
at the willow's base . . .
sun-glade


I turn
my gaze inward
how dark
this long journey
back into the light
 

Akita International Haiku Network, 2025

Honoured to be included in the Haiku Beyond Earth Series, with five haiku selected from my chapbook "A Year Unfolding" (Folded Word, 2017) on March 17, 2025. I'm grateful to Hidenori Hiruta for translating these haiku into Japanese:



white bells
ringing the changes
lily of the valley


muddy jeans
the pasture speckled
with crocuses


in the hills
cattle lowing between
silences


wind gusts
a rotten burl full
of wild plums


in the pond
a white begonia
and old news