Showing posts with label British Haiku Society. Show all posts
Showing posts with label British Haiku Society. Show all posts

Tuesday, April 28, 2026

The British Haiku Society Awards, 2025

Thrilled to receive the following award:


distant slopes
turning blue at twilight
the soft folds
of this tweed blanket draped
around father's shoulders

Runner-up, The Linda Jeannette Ward Tanka Award


Judge's comments:

I was struck by the poet's apt use of natural imagery. The mountains are losing their shape and form as night begins to settle in. Pairing this image with the soft folds of the blanket (draped around father's shoulders) was so evocative. A fine tanka.

—Alan Peat

Friday, May 16, 2025

The British Haiku Society, International Haiku Day Haiga Greeting Card Competition, 2025

Honoured to know that the following haiga greeting card was selected as the winner (unanimous!) of this competition on the theme of "light", and it was forwarded to all British Haiku Society members on International Haiku Poetry Day, April 17, 2025:



  

Sunday, April 13, 2025

The British Haiku Society Awards, 2024

Thrilled to receive the following award:


lady's tresses
speckling the downs
this autumn night
your fingers untangle
what's left of my hair

Winner, The Linda Jeannette Ward Tanka Award


Judge's comments:

The winning tanka is well crafted in the characteristic s/l/s/l/l style, displaying a thorough knowledge of form, with economy of words and careful line breaks. The pivot line this autumn night encourages imagining rare white orchids dotting the downs beneath autumn stars. I see stars above and stars below. And autumn links with L4 & 5, to build the story, where an older couple share a tender moment, fingers untangle the partner's sparse hair. Line 5 what's left of my hair loops back to line 1 & 2 lady's tresses / speckling the downs to complete this gentle and intimate scene which we can all relate to.

—Marilyn Humbert

Friday, December 13, 2024

Shining Wind Haiku Anthology, 2024

Thrilled to have the following haiku on the theme of "light" selected for this collaboration between the British Haiku Society and Bulgarian haiku poets. My thanks to editors A.A. Marcoff, David Bingham, Iliyana Stoyanova, Vladislav Hristov, and to assistant editor, Maya Daneva. Special thanks to the translators, Darina Deneva, Iliyana Stoyanova, Maya Daneva.


Translated into Bulgarian


inner shine
ensōs of ice define
each pebble

Humour, British Haiku Society Members' Anthology, 2024

keep your nose
against the grindstone
they said,
but now I have nowhere
to rest my glasses

Wednesday, May 15, 2024

The British Haiku Society Awards, 2023

Thrilled to receive the following awards:


sunbeams sift
between the bones
of our barn
mucking out stalls
has never felt so holy

Runner-up, The Linda Jeannette Ward Tanka Award


Judges' comments:


Opening with a gentle shasei, this tanka assumes a deeper meaning in the closing metaphor. Cleaning straw and manure from animal stalls takes on a new meaning in the glow of light between the boards; honest labour becomes devotion. A 'Hand of God' moment we liken to when fall-streaks appear through clouds. The tanka has subtle alliteration with a solid structure. It has a satisfying elliptical ending as the sense of a holy task links back to the sunbeams often seen in classical religious paintings. The author is unobtrusive, and there is sufficient dreaming room for the reader to insert themselves into the scene.

—David Terelinck


The same tanka also received an Honourable Mention in this contest...


Through this beautiful tanka, the poet demonstrates that wonderful moments of enlightenment and grace are not limited to structured times of church and prayer. If we stay connected to the moment, we can find a poetic truth that transcends time and place.

—Bryan Rickert

(note: there were 203 tanka submissions for this contest)
 

Thursday, April 06, 2023

The British Haiku Society Awards, 2022

Thrilled to receive the following awards:


at the moment
I became motherless
something
brushed against me
softer than a feather

Winner, The Linda Jeannette Ward Tanka Award


Judge's comments:

This tanka shimmers with meaning. The essence of life hovers here, unspoken, unknown, implied, certain and resonant. This moment lingers, remains unforgettably, unexplained in our lives, our memory, touching us again and again, mothering us, and spurring on our creativity and a poetic sense of wonder. Beautifully shaped and expressed. This is what I wish for in tanka. Meaning, mystery and subtle magic.

—Kath Abela Wilson


skinny-dipping the moon snail's umbilicus

Runner-up, The David Cobb Haiku Award


Judge's comments:

There is something so regenerative about stripping down for a skinny dip in the moonlight! Once again, we have identification with nature, this time carried out in a more disjunctive fashion. The mention of "umbilicus" alludes to the process of birth and, in its turn, rebirth. Experiencing this piece, I feel the night air and its magic, the snail as mother. Any piece able to elicit this kind of ecstasy within its reader is, in my estimation, an extremely well-crafted ku.

—Kelly Moyer


(note: there were 437 haiku entries and 196 tanka entries)

Thursday, March 16, 2023

In Sun, Snow & Rain: Tanka From a World of Song, British Haiku Society Members' Anthology, 2022

A Tanka Anthology in Memory of Linda Jeannette Ward


snowshoe tracks
enter a fury of white,
chain-linking
the past to present
to unknowable future
 

Saturday, April 03, 2021

The British Haiku Society Awards, 2020

Thrilled to receive the following award:


sea pebbles
glistening in the sun
we, too
lose more of ourselves
with every passing wave

Honourable Mention


Judge's comments:

The pattern of surges and calms exhibited worldwide by the Covid-19 pandemic is here witnessed in this modest but productive observation from nature. How like the pebbles we are, in this together, losing millions over time, with each passing wave. The lament is clear but restrained, anchored in the natural world.

—Michael McClintock

(Note: there were 164 entries for this competition) 

Monday, April 20, 2020

The British Haiku Society Awards, 2019

Thrilled to receive the following four awards:


between the spokes
of your spinning wheel
a dusty web . . .
I never thought our lives
would so quickly unwind

Winner


Judge's comments:

For the overall winner, I've chosen this tanka by Debbie Strange from Canada. It has a fantastic visual juxtaposition of a spinning wheel with a web between its spokes. I can see this sitting in someone's attics for a long time gathering dust. The final word "unwind" allows readers to literally unwind from the tanka itself. All the words that have a "w" sound are a plus, "between", "wheel", "web", "would", and "unwind". Not to count syllables but, this is a fine example of writing a crescendo into the tanka. Debbie's two shortest lines being the same count, the first long line (2) is one beat longer, the second long line (4) is two beats longer, and so forth until the final and longest line by three beats which created its fine crescendo.

—an'ya


watching you
prepare a star fruit
just so
the small galaxies
of grace in your hands

Runner-up (chosen by an'ya)
Honourable Mention (chosen by Gregory Longenecker)


Judges' comments:

For runner-up, surprising but not surprisingly by the same talented author, Debbie Strange. The rhythm is there, it makes a nature reference via fruit, plus the human element. It's succinct, and yet this tanka is complete. The reference to "star fruit" and "small galaxies" is a striking comparison. The final line is memorable and adds "grace" to the whole tanka as well.

—an'ya


This is a deceptively simple tanka. The poet observes someone working with star fruit and enters a meditation. They notice the small things being done, "just so." There is a kind of magic or "grace." "The small galaxies" refers to the fruit and/or the work performed by the preparer.

—Gregory Longenecker


a black river
of ants surges across
the pavement
they know their destination
long before I know mine

2nd Honourable Mention


Judge's comments:


Again, another well written and poignant tanka by Debbie Strange from Canada. The mention of ants as a black river surging across the pavement is a super visual, and there's a solid human element of compassion in this one too.

—an'ya




Thursday, June 28, 2018

Blithe Spirit, Vol. 28, Number 2, May 2018

moon dogs
the unexpectedness
of this moment


at dawn,
a mustang stallion
leads his mares
through the badlands . . .
I, too, am unbroken


life flows by
in a murmuration
of days . . .
my shape has changed,
but I still know who I am


Note: This issue contains the results of the 2017 British Haiku Society Awards (please see April 1, 2018 blog post for commentary).


rimed fence
the cattle and wind
change direction

Honourable Mention

Sunday, April 01, 2018

The British Haiku Society Awards 2017

rimed fence
the cattle and wind
change direction

Honourable Mention


Judge's comments:

The Canadian poet Debbie Strange has lived with cattle, or spent just enough time watching them to intuit this simplest of poems. She observes a simple reflex of nature—on a cold day, cattle face away from the wind. Anyone who has spent time with them knows this. When the wind changes, they move. It only takes 11 syllables for the poet to teach us a lesson—move, don't agonize.

—Robert Moyer

Note: The contest received 549 entries.