Saturday, August 23, 2025

Geppo: The Work-Study Journal of the Yuki Teikei Haiku Society, Volume L:2, May 2025

February - April 2025


an evergreen decaying from the top down dementia


thunderstone
your death a bolt
from the blue


rain-strung branch
the upside-downness
of redpolls


bag lady
a halo of pigeons
circling her head


Spring Challenge: Dandelion, tampopo


pesticide-free
the wild manes
of dandelions


Honoured to know that "rain-strung branch" was included among the favourites of Dojins Patricia J. Machmiller and Joan Zimmerman!

Also honoured that "rain-strung branch" was chosen for commentary in the subsequent issue:


Dojin's  Corner:

There is so much to like about this haiku, starting with its phrase "rain-strung" to indicate that it has rained, has stopped raining, and has left jewels of rain hanging on a branch. Line two affirms the hanging beads of water through its newly minted and lovely noun "upside-downness" (from the adjective "upside-down").

The haiku pivots on that into line three's redpolls, acrobatic and energetic small finches with a tendency to hang down to forage, gleaning branches from below for insects and seeds. The haiku also feels acrobatic and energetic. A delight.

—Joan Zimmerman

Such a perfect way to characterize the redpolls' acrobatic feeding movements as "upside-downness." One word says it all.

—Patricia J. Machmiller

At least I guessed the correct category: redpolls=birds. Although refusing to keep a life list, I do consider myself a moderate birder, but I had to look up "redpolls" to appreciate this haiku. Smaller than house finches and purple finches I doubt that I'll ever see one, as in the winter they only migrate as far south as Canada and the far northern parts of the midwest and eastern United States.

—Alison Woolpert

Geppo: The Work-Study Journal of the Yuki Teikei Haiku Society, Volume L:1, February 2025

November 2024 - January 2025


Grateful to have a mention of my new book, Random Blue Sparks, included in this issue!


soup kitchen the salt and pepper hair of a veteran


light ricochets
off a snowy owl's wing . . .
ice pellets


hot tenting
the sudden sizzle
of northern lights


new year's thaw
all the snowmen
losing weight


Winter Challenge Kigo: Winter Mountain, fuyu no yama


clouds crash
into the winter mountain . . .
pain flare


Honoured to know that "soup kitchen" and "new year's thaw" were included among Dojin Patricia J. Machmiller's favourites!


Also honoured that "new year's thaw" was included among the "Voted Best" (7 or more votes) in the subsequent issue,





The Haiku Foundation: HaikuLife Film Festival 2025

This haiga video, comprised of previously published poems, was created to celebrate The Haiku Foundation's International Haiku Poetry Day HaikuLife Film Festival on April 17, 2025:


What We Make of Light

(with recitation)














The Haiku Foundation, New to Haiku: Kire and Punctuation, March 2025

Grateful to Julie Bloss Kelsey for including the following work in her article "Kire and Punctuation" (for the section titled "Parentheses") on May 2, 2025:


Fata Morgana the (in)visibility of my (dis)ability

2nd Place, 2021 Marlene Mountain Memorial Haiku Contest

The Haiku Foundation, Juxta 10 - Research and Scholarship in Haiku, December 2024

Grateful to have the following haiku translated and included in Seji Tethi's article "The Translation of English Haiku into Hindi"...

Conclusion:

"The translation of English haiku into Hindi is a multifaceted endeavor that goes beyond mere linguistic conversion. It demands an appreciation for the art of poetry, an understanding of cultural contexts, and a sensitivity to emotional nuances. Through thoughtful adaptation, translators can create haiku that not only retain the spirit of the original but also speak meaningfully to Hindi-speaking audiences. Ultimately, this process enriches both languages and fosters a deeper appreciation for the art of haiku across cultural boundaries."


drifting sands
sometimes the poem
writes itself

Winning Haiku, 2023 Drifting Sands Wearable Art and Haiku Contest

The Haiku Foundation, Haiku of the Day (formerly Per Diem), July 2025

Selected by R. Ganesh for the theme of "Socio-Political Ku": July 18, 2025


refugee train
small hands starfished
against the glass

1st Place, 2024 Triveni Awards 

The Haiku Foundation, Haiku of the Day (formerly Per Diem), May 2025

Selected by Jim Kacian for the theme of "Haiku About Glaciers": May 3, 2025


calving glacier
i decide when
to let go

Failed Haiku 4.46, 2019

The Haiku Foundation: EarthRise Rolling Haiku Collaboration, April 2025

Theme: International Year of Glaciers' Preservation


solo hike the chatter marks of glaciers

First Frost, Issue 9, Spring 2025

 

Laurels: Tanka Society of America Online Journal, Number 4, August 2025

My thanks to guest editor Jackie Chou for including the following tanka for the theme: "time"!


tonight
the soliloquy of snow
does not console . . .
your voice forever lost
to those who loved you


Kokako, Number 43, September 2025

Grateful to have a lovely review of "Random Blue Sparks" by the editor, Graham Bates, included in this issue. It can be accessed under the book's title tab of this blog.


homelessness
the driftwood's hole
filled with a stone


rime ice
the spikes of burrs
grow longer


childhood days
spent digging for treasure
on the beach
you still wear the pendant
I made from pirate glass


the wind
strumming ocean waves
what music
do you have in store
for me tomorrow




Monday, August 11, 2025

New Zealand Poetry Society International Poetry Competition, 2025

My thanks to Scott Mason, the judge of this contest!


campfire nights
we ride in on the back
of a song

3rd Place

Judge's Commentary:

This poem also holds a surprise in its third line, yet one that deepens the evocative tone established in its first. The words "campfire nights" conjure feelings of good, old-fashioned fellowship and here, in an almost mystical if secular sort of union, the poem's protagonists join in even before they arrive. A memorable mood piece.

Haiku Society of America, Merit Book Awards, 2025

Thrilled to have received 3rd Place in the Haiku Society of America Merit Book Awards for 2025 (for books published in 2024) for Random Blue Sparks (Snapshot Press, 2024)


My thanks to the judges! Commentary to follow:
 

The Solitary Daisy, Issue 53, May 2025

Grateful to have the following work reposted from a haiga published in Tinywords 25.1, May 2025:

refugee train
small hands starfished
against the glass 

1st Place
2024 Triveni Awards

Wales Haiku Journal, Summer 2025

a cathedral
of arched rushes . . .
marsh warblers


Triya Mag: Monsoon Edition, June/July 2025

Translated into Hindi


sea pebbles
glistening in the sun
we, too
lose more of ourselves
with every passing wave

Honourable Mention, 2020 British Haiku Society Tanka Awards


snowmelt
the wild crocuses
you loved

2nd Place, 2019 Morioka International Haiku Contest



 

Time Haiku, Number 62, August 2025

the postman
says another blizzard
is brewing . . .
I reread your letters,
steeped in my solitude


katabatic winds
blowing off the glacier
overnight,
tundra and ptarmigan
seasoned with stars


you kept
most of yourself hidden
from the world . . .
an iceberg flips over,
showing its true colours

Sonic Boom, July 2025

worry bone the sperm whale clicking inside my jaw

Prune Juice, Issue 46, August 2025

Grateful to have the following work included in the last issue edited by Antoinette Cheung and P.H. Fischer:


tsundoku
we don't know what
we don't know

(note: tsundoku: the art of book accumulation)


 

Presence, Number 82, July 2025

Grateful to the new Presence team, James Roderick Burns, Ken Cockburn, and Becky Dwyer for the following acceptances in their inaugural issue as editors:


depths of winter
the parrot mimics
your cough


a whale pod
bubble-netting prey
all the patterns
we made together
begin to dissolve

a tea can
of mismatched buttons
in the workshop
I often wonder why
you singled me out


I was delighted to discover that the following haiku was shortlisted for the Best-of-Issue Award in Presence 81:


sugar maples
small boys running
until they can't

Our Best Haiga: Black & White Haiga/Haisha, August 2025

Curated by Lavana Kray


August 1, 2025


(note: this haiga first appeared in Cantos, March 2024)



Dwarf Stars 2025 - The Best Very Short Speculative Poems Published in 2024

Honoured to have the following work chosen for this anthology of shortlisted poems. My thanks to the editor, Miguel O. Mitchell!


a fawn steps
into the fairy ring . . .
lunar eclipse

The Cicada's Cry, Summer 2024
 

Haiku 2025: 100 Notable Ku from 2024, Modern Haiku Press, 2025

Thrilled to be included in this anthology edited by Lee Gurga and Scott Metz!


reproductive choice making a baby glacier

Password: Journal of Very Short Poetry, Issue 1.2, May 2024

Haiku 21.2: An Anthology of Contemporary English-language Haiku, 2025

Thrilled to be included in this anthology edited by Lee Gurga and Scott Metz!


summer fair
our dog retrieves
a lost boy

Mariposa 40, Spring/Summer 2019


soft rain
the lily and I with stars
in our throats

Under the Basho, 2018

Haiga in Focus, Issue 85, August 2025

 Curated by Claudia Brefeld


Translated into German





Fresh Out: An Arts and Poetry Collective, July 2025

 Curated by Eric A. Lohman


Featured Artist: July 22, 2025


(note: this haiku first appeared in the Edmonton Japanese Community Association Spring Haiku Competition Anthology, 2024)


#FemkuMag, Issue 39, Summer 2025

fogged in
a friend jumps off the bridge
to nowhere


bully culture
six coyotes surround
a mule deer


if we had one
to call our own . . .
star nursery


Note: this issue also includes a lovely review of Random Blue Sparks. It can be accessed under the Random Blue Sparks tab of this blog. My deepest thanks to Rowan Beckett Minor for the sensitive reading and commentary.
 

Enchanted Garden Haiku Journal, Issue 12, At the Sky Gates, July 2025

Translated into Romanian


lambing season
a flock of clouds
at loose ends



 

Daily Haiku: Charlotte Digregorio's Writer's Blog,. July 2025

Daily Haiku Special - July 17, 2025 - theme "peace"


the peace
that accompanies
forgiveness
after this long drought
an ecstasy of rain

GUSTS, Number 25, Spring/Summer 2017

Daily Haiga: An Edited Journal of Traditional and Contemporary Haiga, July 2025

Featured Artist: July 8, 2025


Note: this haiku was first published in Modern Haiku 55.1, 2024

Blithe Spirit, Volume 35, Number 3, August 2025

mourning rituals
a loon's wail haunts
the lake


the mudpuppy
on my bucket list . . .
moonlit pond

(note: mudpuppies are nocturnal salamanders)


red welts
of jagged sky besmirch
the sky
this morning, I am
storm-stung with dread
 

A Fine Line: The Magazine of the New Zealand Poetry Society, Winter 2025

alpine camp
meteors falling
into our mouths

Modern Haiku, Volume 55.1, 2024
 

Saturday, July 12, 2025

Each in Our Own Way, Tanka Society of America Members' Anthology 2024

Edited by Michele L. Harvey


a waterfall,
translucent against
this mountain . . .
your face as you slip
beyond the veil
 

Modern Haiku, Vol. 56.2, Summer 2025

everything
that holds me here . . .
marram grass
 

The Heron's Nest, Volume 26, 2024

snow crater
the waterfall sculpts
its own geology


boreal shadows
we follow the sunbursts
of lichen
 

Sonic Boom Annual Vispo Contest, 2025

Honoured to have the following vispo (visual poetry), "Departure", shortlisted  and selected by Shloka Shankar and Robin Smith (15 works selected from 80) for this year's gallery:



This 12 X 9 landscape collage features handpainted papers and a found poem culled from H. Albert Hochbaum's "To Ride the Wind."


Humana Obscura, Issue Number 13, Summer 2025

beach grasses 
sand settles in the dunes
of my body


hymnography
the wind and waves
know how


moonwake
the path I chose
to follow

The Singing Sands



Haiga in Focus, Issue 84, July 2025

 Curated by Claudia Brefeld


Translated into German




Fresh Out: An Arts and Poetry Collective, June 2025

 Curated by Eric. A. Lohman


Featured Artist: June 26, 2025


(note: this monoku first appeared in Password Journal of Very Short Poetry, Issue 2.1, Feb/2025)



Failed Haiku - A Journal of English Senryu, Vol. 10, Number 110, July 2025

Thrilled to have the following collaborations and translations included in this issue:


German Translations and Images by Claudia Brefeld (senryu by me):



Köcherfliegen
das Abstreifen der Hülle
von dem, was war


ikterischer Himmel
das Baby, das es nicht
nach Hause schafft


Kyoka collaboration with Graham Bates:


shark teeth . . .
infinite regeneration
is just
the remedy for which
I have been looking!

(note: not long after we wrote this, human teeth were grown in a lab for the first time ever.)




 

Australian Haiku Society, 2025

Winter Solstice 2025 AHS Haiga Kukai


solstice prayer
one tree holds onto
the last light


(note: poem written in response to a photograph by Wanda Amos)

Wednesday, June 18, 2025

Geppo: The Work-Study Journal of the Yuki Teikei Haiku Society, Volume XLIX:4, November 2024

August - October 2024


leaf confetti
a child's face daubed
with mud


corn snow
squirrels talking smack
outside the window


the house
where we were born . . .
bull thistles


circling hawks
the earth tilts
on its axis


Autumn Challenge Kigo: Milky Way, amanogawa


sea shanties
the Milky Way snagged
in our rigging


Honoured to know that "leaf confetti" and "circling hawks" were included among Dojin Hiroyuki Murakami's favourites!

Also honoured that "circling hawks" was chosen for commentary in the subsequent issue:


Dojin's Corner:

This haiku reminds me of the famous haiku by Japanese poet Ueda Gosengoku (1933-1997), migrating birds / I became smaller / instantly." The author's mind must be in harmony with the hawks in the sky to create a haiku from this perspective. Magnificent and free, it is an excellent haiku that shows empathy for animals.

—Hiroyuki Murakami

I think the poet is seeing earth from the hawk's point of view. They have risen so high they can see the earth's tilt!

—Patricia J. Machmiller

The haiku reveals the fact that hawks are responsible for the earth circling on its axis.

—Emiko Miyashita

I was also thrilled to know that Janice Doppler included the following haiku in her article "Pondering Zōka". This haiku was also selected for her book "One Thread: Zōka in Contemporary Haiku (2024):


peat fire
the scent markings
of other worlds

Frogpond 46:3 (2023)









 

Best of Geppo: 1978-2024, 2025

Grateful to have the following photograph included in this lovely anthology:


Bespangled
 

(note: this photograph was included among my featured artist selections in Geppo XLVII:2, 2022)


World Haiku Association, Number 21, 2025

Translated into Japanese


vespers
the mantis begins
to sway


fledged robins
a discarded kettle
lined with mud


beaver dam
salmon seek refuge
from the drought


Note: these haiku previously appeared in Akitsu Quarterly
 

Suspect Device Punkzine, Number 16, June 2025

Turning Japanese : Crossroads


My thanks to the editor, Tim Gardiner, for nominating the following poem for a Touchstone Award:


autumn winds
a shift in the balance
of power

Shadow Pond Journal, Issue 5, June 2025

theme: love


golden anniversary the moonflower's heart-shaped leaves

Our Best Haiga: Black & White Haiga/Haisha, June 2025

 Curated by Lavana Kray


June 3, 2025


(note: this haiga first appeared in colour in Failed Haiku 9:106, January 2025)

June 25, 2025:

(note: this haiku received 3rd Place in the 2018 Irish Haiku Society International Competition)




Mariposa, Number 52, Spring/Summer 2025

wolf willow
our horses spook
in the wind


prairie gumbo
the year of the lilies
that weren't

A Confluence of Mythology, Haiku Canada Members' Anthology 2025

scrub jay
nothing left of the blue
in dad's jeans

2nd Place, 2024 Betty Drevniok Award

Folk Ku: A Journal in Honour of Master Masoka Shiki (1867-1902), King River Press, Issue 5, June 2025

theme: water


remission
a whale breaks its bond
with the ocean


sunday rain
the barley heads
bow down

Daily Haiga: An Edited Journal of Traditional and Contemporary Haiga, June 2025

Featured Artist: June 8, 2025


Note: this haiku was first published in Geppo XLIX:3, 2024


Eucalypt, Issue 38, May 2025

a typewriter
left in our woodland . . .
who sat here
transcribing the tales
of wind, rain, and pine

The Art of Tanka, Issue 4, Spring/Summer 2025

my apron full
of grandmother's sage
the blue scent
of prairie horizons
after longed-for rain

Tuesday, June 03, 2025

Manitoba Writers' Guild, Rabindranath Tagore Poetry Competition 2025

Honoured to know that my poem "consolation prize" was longlisted for the Rabindranath Tagore Poetry Competition. As the work remains unpublished, I won't post it here so that it will be free to send out into the world again!


Waka Society of America, Petals Journal (Waka in English), Premier Edition, May 2025

Honoured to have the following waka selected by the editor, an'ya, for the inaugural issue of Petals:


I watched you
riding over bare hills
toward home
your palomino's mane
sifting the last sunrays


this glass bowl
of mollusc fragments
you showed me
how to catch the light
and how to let it go


chinook winds
keening your name
I am stung
by gusts of grief
and helplessness


pale bodies
glistening with sand
and water
the skin of our youth
sculpted by sunlight

Tinywords, Issue 25.1, May 2025


Note: this haiku received 1st Place in the 2024 Triveni Awards


 

Quail Eggs: A Tanka Journal, Issue 1, June 2025

Honoured to have had the following two tanka selected by the editor, Alison Williams, for the inaugural issue:


a gull's shriek
carries me elsewhere . . .
images
of unborn children splashing
at the edges of my mind


icy clusters
of sumac berries droop
and shrivel
small flames doused
before they had a chance

Our Best Haiga: Black & White Haiga/Haisha, May 2025

 Curated by Lavana Kray


May 21, 2025


(note: this haiga first appeared in colour in Chrysanthemum 32, 2024)



New Zealand Poetry Society, Online Feature, February 2025

Grateful to have had an online feature (social media) on February 28, 2025. My thanks to Kim Martins for the honour!


meadowlarks
the grace notes that follow
me home

Blithe Spirit, Number 26.2


weathered oars
we fold our worries
into the river

Acorn, Number 42
 

New Zealand Poetry Society, Member Monday Online Feature, January 25

Honoured to be the featured poet for the New Zealand Poetry Society's online (social media) Member Monday feature on January 13, 2025. My thanks to Kim Martins for the invitation!

Debbie lives in Manitoba, Canada. She has made her home in rural and urban communities in each of the four western Canadian provinces, from the prairies to the ocean. Poetry of place features in much of her haiku and tanka. Debbie’s daily creative practice is a form of meditation and healing, helping to mitigate the effects of chronic illness, and connecting her more closely to the world, to others, and to herself.

Debbie’s third-floor writing room looks out onto a gorgeous row of lindens, fragrant in summer, and frosted in winter. Their branches are often filled with chickadees and finches, punctuating the days with song.

Debbie loves:

.   playing guitar, singing, songwriting

.   wind & waves, fog & frost, sunsets & aurora

.   camping, birdwatching, gardening

.   making haiga using watercolours, inks, acrylics

.   collage, paper crafts, miniatures

.   visiting with her sisters

.   Scrabble with her husband

Debbie’s camera is her constant companion. She has been making photographs for decades, whilst exploring the wilds with her husband and their dogs in a 1978 lime-green VW campervan named “Ludwig”. Her photography exhibition, “The Poetry of Light”, explores the subtle and flamboyant nuances of light, reflection, and refraction. Now that Debbie’s vision is compromised, she often uses intentional camera movement and diffusion techniques to create dreamlike images.

At the beginning of the Covid pandemic, Debbie invited 50 emerging and established short-form poets to collaborate on an online haiga project for healing. She enjoys creating haiga galleries and films for The Haiku Foundation, and recently contributed an essay discussing colour and the ways in which it impacts her work.

Debbie’s full-length haiku collection, “Random Blue Sparks”, winner of the 2020 Snapshot Press Book Award, has just been released:

dead orchard
the random blue sparks
of woolly aphids

3rd Place, Irish Haiku Society Int’l Contest, 2018

Haiga in Focus, Issue 83, June 2025

 Curated by Claudia Brefeld


Translated into German





Dadakuku, May 2025

inner pinna


that song in my earwigging

Creatrix: Poetry and Haiku Journal, Number 69, June 2025

street piano
the pigeon pecks
a few notes


off-grid cabin
we undo the mischief
of mice


leaf shadow
a ladybug loses
one spot

Blithe Spirit, Volume 35, Number 2, May 2025

a fairy door
at the willow's base . . .
sun-glade


I turn
my gaze inward
how dark
this long journey
back into the light
 

Akita International Haiku Network, 2025

Honoured to be included in the Haiku Beyond Earth Series, with five haiku selected from my chapbook "A Year Unfolding" (Folded Word, 2017) on March 17, 2025. I'm grateful to Hidenori Hiruta for translating these haiku into Japanese:



white bells
ringing the changes
lily of the valley


muddy jeans
the pasture speckled
with crocuses


in the hills
cattle lowing between
silences


wind gusts
a rotten burl full
of wild plums


in the pond
a white begonia
and old news

Friday, May 16, 2025

Wales Haiku Journal, Spring 2025

spring peepers the spaces in between


penumbra
the ring around
a vireo's eye