Sunday, June 07, 2026

NeverEnding Story: Biting NOT Barking Series, May 2026

Translated into Chinese by Chen-ou Liu:


zombie fires
come back from the dead . . .
this wilderness
haunted by skeletons
and memories of trees

Blithe Spirit 35.4, 2025


Chen-ou Liu's Comments:

This tanka bridges climate science and Gothic imagery. In L1, "zombie fires," refers to overwintering peat fires that smoulder underground through freezing winters before reigniting in spring. By framing this ecological phenomenon as a literal haunting in L2, the tanka emphasizes the lingering trauma climate change inflicts upon natural landscapes.

In L4, "skeletons" operates as a powerful double entendre, evoking both charred tree trunks and traditional images of the dead. L5, "memories of trees," deepens the sense of grief and absence, suggesting ecosystems that survive only as traces or recollections. Nature is irrevocably altered: the once-living forest has become a graveyard of skeletons that refuses to rest in peace.

Heliosparrow Poetry Journal, May 2026

Featured May 15, 2026:

A Raven in the Middle


Featured May 26, 2026

Feathering



Hedgerow Poems, Number 152, 2026

racing daylight
a red canoe arrows
toward camp

Haiku Page, Issue 12, 2026

Delighted to appear in this senryu-themed issue!


cold wave
the time it takes to find
our ice legs


active shooter
fawns are taught
to go to ground








Stars in the Seaweed, Haiku Canada Members' Anthology 2026

foreclosure
a barn spider ties up
loose ends of light

Shortlisted for Best-of-Issue Award, Presence 75

Haiga in Focus, Issue 94, June 2026

 Curated by Claudia Brefeld


Translated into German



Haiga in Focus, Issue 93, May 2026

 Curated by Claudia Brefeld


Translated into German




Fresh Out: An Arts and Poetry Collective, May 2026

 Curated by Eric A. Lohman


Featured Artist: May 11, 2026


(note: this tanka first appeared in The Art of Tanka #1, Fall/Winter 2023)

Daily Haiga: An Edited Journal of Traditional and Contemporary Haiga, May 2026

Featured Artist: May 15, 2026


Note: this haiku was first published in Blithe Spirit 34.3, 2024

Creatrix: Poetry and Haiku Journal, Number 73, June 2026

sand mandalas
the flattened remains
of jellyfish

Sakura Haiku Challenge Anthology - Consulate General of Japan in Toronto, 2026

The following haiga was presented online for the Sakura Haiku Challenge and is included in the 2026 anthology:


Cornflower Haiku Magazine, Issue 1, Spring 2026

cattails sway
moose calves grow
into their legs

Contemporary Haibun, Volume 21, Red Moon Press, 2026

Honoured to have this haiga chosen by Ron Moss for Contemporary Haibun:



Cattails, April 2026

food insecurity
the empty throat pouch
of a nutcracker


fifth instar the nymph i once was


hospice window
the see-through skeletons
of by-the-wind sailors


shafts of light
flicker across the floor . . .
my kitten
never quite captures
her elusive enemy




Cafe Haiku: The Magazine of the Cafe Haiku Group (Mumbai, Thane, Hyderabad and Chennai), 2026

Haiga feature on the theme of "Naturescapes":

Note - these haiga feature the following Japanese kigo:

aki no kawa = autumn river
natsu no kiri = summer mist
haru no kure = spring sunset
kankin = winter birds







The Art of Tanka, Issue 6, Spring/Summer 2026

one day
by the sea is all it takes . . .
my worries
disappear like spindrift
ribboning off every wave
 

A Fine Line: The Magazine of the New Zealand Poetry Society, Autumn 2026

mom's vital signs
we decipher the code
of lightning bugs

Selected Haiku, 2025 Yamadera Basho Memorial Haiku Contest

Tuesday, April 28, 2026

The British Haiku Society Awards, 2025

Thrilled to receive the following award:


distant slopes
turning blue at twilight
the soft folds
of this tweed blanket draped
around father's shoulders

Runner-up, The Linda Jeannette Ward Tanka Award


Judge's comments:

I was struck by the poet's apt use of natural imagery. The mountains are losing their shape and form as night begins to settle in. Pairing this image with the soft folds of the blanket (draped around father's shoulders) was so evocative. A fine tanka.

—Alan Peat

Snapshot Press, The Haiku Calendar Competition 2026

Award Winner, The Haiku Calendar Competition 2026 (for March)

Publication - The Haiku Calendar 2027 (Snapshot Press 2026)


sugar maples
small boys running
until they can't

Shortlisted for the Best-of-Issue Award in Presence 81

Romanian Kukai Group, Sharpening the Green Pencil Haiku Contest, 2026

Thrilled to receive 3rd Place in this year's contest


ragged clouds
the sleeping bag inside
a refrigerator box

3rd Place
Sharpening the Green Pencil, 2026


Judge's comments:

One might be tempted to read this as an "as above, so below" haiku — but I see it operating in the opposite direction, along the lines of a certain couplet by the visionary poet William Blake (from "Auguries of Innocence"): "The Beggar's Rags, fluttering in Air, / Does to Rags the Heavens tear." This haiku may represent an even more stinging opprobrium, with the time-release power of its purer "show, don't tell" approach.
—Scott Mason