Saturday, July 25, 2015
Gnarled Oak, Issue 4, July 2015
A Reverence for Rust
rusted wheels
carrying us toward
the hymn of home
a haloed sun
beckons us beyond
the rusty gate
pressed prayers
these rusting memories
between our palms
rust-flecked silo
our songs still echo
hallelujah
rusted wheels
carrying us toward
the hymn of home
a haloed sun
beckons us beyond
the rusty gate
pressed prayers
these rusting memories
between our palms
rust-flecked silo
our songs still echo
hallelujah
Undertow Tanka Review, Issue 6, July 2015
they teased me
when I was a girl
my voice
deeper than any boy's
my chest full of thunder
a spoonful
of nuclear medicine
bittersweet
too late to save my brothers
not too late to heal the world
Featured Tanka:
the breath
of a chimney hangs
in the frosty air
so many questions
you left unanswered
that phone call
all those years ago
I still see
a serpent writhing
between her fingers
an old friend
unable to say the words
hands me a note
tissue-thin and faded
he thinks he might be gay
NeverEnding Story, July 2015
Translated into Chinese by Chen-ou Liu
snowflakes
in my open hands
the slow drift
of our memories
filling up winter
Chrysanthemum, Number 15, April 2014
Chen-ou's comments:
A simile, emotional and visual, is skillfully established between the two parts of the poem, and the winter of remembrance of the things past would make the speaker feel much colder than winter itself.
snowflakes
in my open hands
the slow drift
of our memories
filling up winter
Chrysanthemum, Number 15, April 2014
Chen-ou's comments:
A simile, emotional and visual, is skillfully established between the two parts of the poem, and the winter of remembrance of the things past would make the speaker feel much colder than winter itself.
Friday, July 24, 2015
All the Shells, Tanka Society of America Members' Anthology 2014
magpie
in your thief's nest
a clutch
of silver wishes speckled
with joy and sorrow
touching
a stranger's face
in the mirror
i saw myself
receding
caught
in unexpected rain
I cover you
with the unfurled umbrella
of a daughter's hands
Comments:
In this seemingly effortless tanka by Debbie Strange, the first line, a single word, snags my attention. "Caught"? Then, what is that "unexpected rain"? Come line three, the tone and pace change: there's hope. "Unfurled" reminds me of newly opened petals. And much symbolism is contained in the simple word "hands." They're not just any hands, and they're not "my" hands, but they're the hands of a daughter. The narrator, with humillity and tenderness, comes to the aid of a person who may or may not be one of her parents. I like how the entire poem can be read both literally and metaphorically, and I appreciate the restraint and overall skill Debbie has exhibited.
in your thief's nest
a clutch
of silver wishes speckled
with joy and sorrow
touching
a stranger's face
in the mirror
i saw myself
receding
caught
in unexpected rain
I cover you
with the unfurled umbrella
of a daughter's hands
Comments:
In this seemingly effortless tanka by Debbie Strange, the first line, a single word, snags my attention. "Caught"? Then, what is that "unexpected rain"? Come line three, the tone and pace change: there's hope. "Unfurled" reminds me of newly opened petals. And much symbolism is contained in the simple word "hands." They're not just any hands, and they're not "my" hands, but they're the hands of a daughter. The narrator, with humillity and tenderness, comes to the aid of a person who may or may not be one of her parents. I like how the entire poem can be read both literally and metaphorically, and I appreciate the restraint and overall skill Debbie has exhibited.
—Janet Lynn Davis, Vice President
Tanka Society of America
Bright Stars Tanka Anthology, Vol. 3, June 2014
writing
a love song
for you
baiting the hook
reeling you in
beside
the endless highway
murdered
her twin's only son
and his girl
in the forest
ghostly Indian Pipe
e m e r g e s
out of moss and earth
older than I'll ever be
collecting flowers
to press inside my book of you
gathering words
of stone and feathers
acorn poems in my pocket
in the highlands
we are standing stones
leaning
toward each other
f r a g m e n t e d
in my pocket
an unopened invitation
I already know
the name of his new wife
the name of my best friend
at the clinic
one pale woman
waiting
while they review
her mammogram
falling
snow stars
melting
in the grace notes
of your hair
you cradle
my stone sorrows
in the leaf
of your palm
sifting me into sand
she flew
from the tropics
to the prairies
carrying orchid leis
for her winter sisters
sitting
on Santa's lap
year after year
she asks for one thing:
a father who stays
come
fly with me
over the mountains
in the curve
of a magpie's black wing
preparing
a nest for you
plucking
blood-tipped raven feathers
from my brooding breast
antelope
dissolving into wind
over the prairie
ancestral bones
remember my name
pine needles
stitch my lips together
a silent vow
the forest has heard
so many broken promises
our breath
wispy quills of maroon
curling
a graceful ballet
in the sky
drawing
a heart in sand
i offer
my beloved's name
to the boundless sea
a fox
on the cabin steps
waiting
our dog asks
if she can go out
black ice
and snow angels
at twilight
we are riven
we are stone
sailing
into midnight
encircled
by stars upon stars
nothing but stars
your lips
a perfect storm
raining kisses
into the chipped bowls
of my unquiet hands
Mother
I see now
with my inner eye
that she always walked alone
beside the waters
that called her name
a small song rang out
a firestorm
is raging in her belly
she rends the heated cloth
and bares the scars
upon her naked breast
she is leaving, she is leaving
after she
is said and dead and done
we are earthbound
dust sparkles
on our wings though
we are still too singed to fly
mother, why
does the torment of your life
still haunt me
daughter, let go
you were never meant
to bear my cross of stone
O (No) Canada
shame on us
thousands of aboriginals
(ab)used
in nutritional experiments
and residential schools
now they search
the dump for bodies
hundreds of missing
and murdered Indigenous sisters
whose spirits wait for justice
Crocodile Tears
Oh, those crocodile tears. You painted your face with them every time you wanted something from me. All it took was a single tear quivering on the tip of your lash, and I would dissolve into a crush of bruised petals beneath your feet. You devoured me with lips dripping lies like honey. When you finally spit me out, I was nothing more than a shadow.
they said
I squandered my only life
on quarter moons
and pennies
for your thoughtlessness
New York Room
(After Edward Hopper, Room in New York, 1932)
Passing an open window on a sobbing afternoon, I catch a fleeting glimpse of you, reading. I wonder if the broken arrows of world news are piercing your conscience, or whether you are charting a new course on the unfolded map of your heart. Perhaps your mind's inward-looking eye is remembering the nothing and everything of me. Your woman in red presses the keys of the piano tenderly, as if they are recalling the song of your flesh, though there is no answering thrum. I avert my knowing gaze from the ache of her unsuspected future.
tableaux
through keyholes
all the things
we wish
we could unsee
1st Place
Writers' Collective/Winnipeg Free Press Short Fiction Contest, 2011
Winged
I came in off my land 20 years ago, weary and beaten down inside and outside. My man was gone. My kids were gone. Now I'm nearly gone. I'm brittle as bone, scarred by the sun, with furrows as deep as those on the land.
thumbing history
through train track-stitched prairie
to Head-Smashed-In Buffalo Jump
and its mountain
of bleached skulls
I'm the town's school librarian now, and it's a comforting job having out-of-date, yellowing, and dog-eared books as my faithful companions. Books have always seduced me, and I gorge on them like some sweet pleasure that I will soon be denied. The library's fusty air and squeaking floorboards are both soothing and inspiring. This is where I began to work on the book that will bear my name.
at the library
aspiring writers
emerge
from inky cocoons
unfolding new wings
Accompanying each story in my manuscript is a photograph of a derelict building that will soon vanish from the face of the earth. The pictures help to breathe life into the tales told by those forlorn walls. A stately old farmhouse has taken root up on a nearby hill, with a vista of swaying golden wheat surrounding it. Defending the sagging front porch are two gnarled lilac trees that scarcely bloom. The front door dangles askew, and most of the windows are wounded. Inside the house, shreds of decayed curtains and patches of water-stained wallpaper are still visible, but nearly all the paint has peeled away. Lacy cobwebs float everywhere, while puffs of dust rise with each footfall.
dirty thirties
three million acres
d r i f t i n g
in a dust cloud of dreams
over the Atlantic
I'm wary while setting up my tripod. Hunting season is fast approaching, and I've been winged a time or two over the years. I guess I've always looked like something wild. My breathing is slow and easy as I frame the scene. Suddenly, the house on the hill is violently splitting asunder, creaking and groaning like a ship going aground. There is no time to capture the image of the crumpling veteran. As the house willingly surrenders its ghosts, a towering cloud of roiling dust rises over the hill.
wraiths
hover and moan
appearing
then disappearing
into smoke
In the dusk, as I am crawling over the pile of bleached bones that were once a home, white feathers begin to swirl like snowflakes over the wreckage. I look up at the silhouette of a whistling swan gliding across the face of the moon. Then, I put my hands in traces of something that looks and smells a lot like blood.
1st Place (prose excerpt)
Writers' Collective/Winnipeg Free Press Fiction Contest, 2012
a love song
for you
baiting the hook
reeling you in
beside
the endless highway
murdered
her twin's only son
and his girl
in the forest
ghostly Indian Pipe
e m e r g e s
out of moss and earth
older than I'll ever be
collecting flowers
to press inside my book of you
gathering words
of stone and feathers
acorn poems in my pocket
in the highlands
we are standing stones
leaning
toward each other
f r a g m e n t e d
in my pocket
an unopened invitation
I already know
the name of his new wife
the name of my best friend
at the clinic
one pale woman
waiting
while they review
her mammogram
falling
snow stars
melting
in the grace notes
of your hair
you cradle
my stone sorrows
in the leaf
of your palm
sifting me into sand
she flew
from the tropics
to the prairies
carrying orchid leis
for her winter sisters
sitting
on Santa's lap
year after year
she asks for one thing:
a father who stays
come
fly with me
over the mountains
in the curve
of a magpie's black wing
preparing
a nest for you
plucking
blood-tipped raven feathers
from my brooding breast
antelope
dissolving into wind
over the prairie
ancestral bones
remember my name
pine needles
stitch my lips together
a silent vow
the forest has heard
so many broken promises
our breath
wispy quills of maroon
curling
a graceful ballet
in the sky
drawing
a heart in sand
i offer
my beloved's name
to the boundless sea
a fox
on the cabin steps
waiting
our dog asks
if she can go out
black ice
and snow angels
at twilight
we are riven
we are stone
sailing
into midnight
encircled
by stars upon stars
nothing but stars
your lips
a perfect storm
raining kisses
into the chipped bowls
of my unquiet hands
Mother
I see now
with my inner eye
that she always walked alone
beside the waters
that called her name
a small song rang out
a firestorm
is raging in her belly
she rends the heated cloth
and bares the scars
upon her naked breast
she is leaving, she is leaving
after she
is said and dead and done
we are earthbound
dust sparkles
on our wings though
we are still too singed to fly
mother, why
does the torment of your life
still haunt me
daughter, let go
you were never meant
to bear my cross of stone
O (No) Canada
shame on us
thousands of aboriginals
(ab)used
in nutritional experiments
and residential schools
now they search
the dump for bodies
hundreds of missing
and murdered Indigenous sisters
whose spirits wait for justice
Crocodile Tears
Oh, those crocodile tears. You painted your face with them every time you wanted something from me. All it took was a single tear quivering on the tip of your lash, and I would dissolve into a crush of bruised petals beneath your feet. You devoured me with lips dripping lies like honey. When you finally spit me out, I was nothing more than a shadow.
they said
I squandered my only life
on quarter moons
and pennies
for your thoughtlessness
New York Room
(After Edward Hopper, Room in New York, 1932)
Passing an open window on a sobbing afternoon, I catch a fleeting glimpse of you, reading. I wonder if the broken arrows of world news are piercing your conscience, or whether you are charting a new course on the unfolded map of your heart. Perhaps your mind's inward-looking eye is remembering the nothing and everything of me. Your woman in red presses the keys of the piano tenderly, as if they are recalling the song of your flesh, though there is no answering thrum. I avert my knowing gaze from the ache of her unsuspected future.
tableaux
through keyholes
all the things
we wish
we could unsee
1st Place
Writers' Collective/Winnipeg Free Press Short Fiction Contest, 2011
Winged
I came in off my land 20 years ago, weary and beaten down inside and outside. My man was gone. My kids were gone. Now I'm nearly gone. I'm brittle as bone, scarred by the sun, with furrows as deep as those on the land.
thumbing history
through train track-stitched prairie
to Head-Smashed-In Buffalo Jump
and its mountain
of bleached skulls
I'm the town's school librarian now, and it's a comforting job having out-of-date, yellowing, and dog-eared books as my faithful companions. Books have always seduced me, and I gorge on them like some sweet pleasure that I will soon be denied. The library's fusty air and squeaking floorboards are both soothing and inspiring. This is where I began to work on the book that will bear my name.
at the library
aspiring writers
emerge
from inky cocoons
unfolding new wings
Accompanying each story in my manuscript is a photograph of a derelict building that will soon vanish from the face of the earth. The pictures help to breathe life into the tales told by those forlorn walls. A stately old farmhouse has taken root up on a nearby hill, with a vista of swaying golden wheat surrounding it. Defending the sagging front porch are two gnarled lilac trees that scarcely bloom. The front door dangles askew, and most of the windows are wounded. Inside the house, shreds of decayed curtains and patches of water-stained wallpaper are still visible, but nearly all the paint has peeled away. Lacy cobwebs float everywhere, while puffs of dust rise with each footfall.
dirty thirties
three million acres
d r i f t i n g
in a dust cloud of dreams
over the Atlantic
I'm wary while setting up my tripod. Hunting season is fast approaching, and I've been winged a time or two over the years. I guess I've always looked like something wild. My breathing is slow and easy as I frame the scene. Suddenly, the house on the hill is violently splitting asunder, creaking and groaning like a ship going aground. There is no time to capture the image of the crumpling veteran. As the house willingly surrenders its ghosts, a towering cloud of roiling dust rises over the hill.
wraiths
hover and moan
appearing
then disappearing
into smoke
In the dusk, as I am crawling over the pile of bleached bones that were once a home, white feathers begin to swirl like snowflakes over the wreckage. I look up at the silhouette of a whistling swan gliding across the face of the moon. Then, I put my hands in traces of something that looks and smells a lot like blood.
1st Place (prose excerpt)
Writers' Collective/Winnipeg Free Press Fiction Contest, 2012
NeverEnding Story, February 2015
Translated into Chinese by Chen-ou Liu
moon garden . . .
the night blooms
with scent
Gems Anthology of Haiku, Senryu and Sedoka, July 2014
Chen-ou's comments:
L1 establishes the scenic context, while Ls 2&3 enhance the tone and mood through evocative sensory images (visual and olfactory) portrayed in a fresh new way.
moon garden . . .
the night blooms
with scent
Gems Anthology of Haiku, Senryu and Sedoka, July 2014
Chen-ou's comments:
L1 establishes the scenic context, while Ls 2&3 enhance the tone and mood through evocative sensory images (visual and olfactory) portrayed in a fresh new way.
NeverEnding Story, March 2015
Translated into Chinese by Chen-ou Liu
messages
in broken bottles
all those words
you didn't say
glinting in the sun
Bright Stars, Volume 1, 2014
Chen-ou's comments:
Ls 1&2, referring to the cross-culturally allusive phrase "Message in a Bottle," establish the thematic and emotional context, while Ls 3-5 enhance the negative mood of the poem.
messages
in broken bottles
all those words
you didn't say
glinting in the sun
Bright Stars, Volume 1, 2014
Chen-ou's comments:
Ls 1&2, referring to the cross-culturally allusive phrase "Message in a Bottle," establish the thematic and emotional context, while Ls 3-5 enhance the negative mood of the poem.
NeverEnding Story, January 2015
Translated into Chinese by Chen-ou Liu:
bats dart
in and out of light
skywriting
we no longer speak
each other's language
A Hundred Gourds, 3:2, March 2014
A Hundred Gourds, 3:2, March 2014
Chen-Ou's comments:
Unlike a classic waka whose jo ("prefatory image") is logically metaphoric or at least resonates closely with the emotional point of the tanka, the prefatory image (depicted in Ls 1-3) of Debbie's tanka forms a thematically and emotionally dialectical relationship with the main statement (Ls 4&5) of the poem, which sparks the reader's reflection on human relationships.
And the issue of language, written (as implied in L3) or spoken (as indicated in L5), takes on metaphoric significance.
One Man's Maple Moon: 66 Selected English-Chinese Bilingual Tanka, Volume 1, 2014
Translated into Chinese by Chen-ou Liu
on father's coffin
the cowboy hat and polished boots
of a prairie Gael
the skirling pipes
that sing him home
Skylark, Volume 1, Number 2, Winter 2013
on father's coffin
the cowboy hat and polished boots
of a prairie Gael
the skirling pipes
that sing him home
Skylark, Volume 1, Number 2, Winter 2013
Gnarled Oak, Issue 2, February 2015
I was honoured to have my phrase "the velocity of night" chosen by the editor, James Brush, to be the title for issue 2 of Gnarled Oak.
Tuesday, July 21, 2015
Akitsu Quarterly, Summer 2015
columbine . . .
i used to think
of flowers
empty chrysalis . . .
the summer snap
of sugar peas
moon nugget . . .
a river otter's pelt
shimmering
i used to think
of flowers
empty chrysalis . . .
the summer snap
of sugar peas
moon nugget . . .
a river otter's pelt
shimmering
World Haiku Review, June 2015
cows and calves
bawling at weaning time
my breasts ache
Zatsuei Haiku of Merit
bawling at weaning time
my breasts ache
Zatsuei Haiku of Merit
Vanguard Haiku Category
The Heron's Nest, Vol. 17, Number 2, June 2015
Perseid shower
the scent of tamarack
on the campfire
evening fog
antlers ghosting through
the coulee
the scent of tamarack
on the campfire
evening fog
antlers ghosting through
the coulee
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